Saturday, November 14, 2009


The National Museum is a photographer's delight. Various artifacts get attention, but increasingly the interior and exterior of our buildings amaze people. Andy de los Reyes got the sensuality of our staircases in the former legislative building now the National Gallery of Art. You must come if only to be awed by the details of this 1916 colonial-era building. I have many tours for the rest of November and December. A great Christmas gift to visiting Balikbayans and loved ones returning home for the holidays. Click on the photo to enlarge and see my tour dates. See you at the Museum!

Tuesday, October 20, 2009


I had heard one of my guests talk about how the National Museum was the setting for a date. She was quite impressed with the guy and eventually married him. People go to bars or parties to meet people. Well, there's also the National Museum.

I've seen it all in the course of guiding. Stolen glances. Silly remarks to start a conversation. There's actually a lot of sexual tension in a museum tour. I find it all amusing and can tolerate it for so long as the guests still give me their attention.

Many of my guests are actually quite endearing. In their attempts to seeking their roots and being awestruck with our collection, they become vulnerable. They bare their selves and become open to an encounter.

But if nothing happens, at least you'd have learned how great we are as a people.

Monday, October 05, 2009

WRITE FOR YOUR CAUSE, WRITE TO GET FUNDING. WORKSHOPS OCT, NOV, '09

"After 2 workshops, I finally figured out how to personalize my emails to friends and donors. I did one on what happened to our staff and kids during the typhoon with a specific appeal for them to send money. I'd done such an appeal describing what we want to do before but for the first time, some people actually sent money. They said they were touched by the story I wrote."

Olie Lucas
Unang Hakbang Foundation

October 4, 2009

Dear friends,

I am offering one Advocacy Writing Workshop (Thursday, October 29) and two Grant Writing Workshops (Saturday, October 31 and Thursday, November 5, 2009). Given recent events, I will include in these workshops writing tips to accentuate emergency relief work and needs to get financial support and news coverage.

Advocacy Writing

Advocacy Writing like submitting editorials and letters-to-the-editor, writing and publishing articles and blogs and participating in a variety of forums are an essential component to organizations or corporations that have a cause to present to the public or a corporate social responsibility (CSR) feature to highlight. Your cause is widened, gains members and helps in providing solutions to eradicate the problem. Many funders these days are interested in supporting organizations and organizations that have a strong advocacy component.

I will help you learn to research and gather your writing points, develop a coherent and powerful article that persuades the general public and gather both moral and financial support. An example of my own advocacy writing can be found on my blog:

http://johnsilva.blogspot.com/2006/10/corporate-connection-to-billboard.html

My written advocacy pieces have helped in stopping the destruction of heritage buildings, eliminated the posting of corporate banners on trees, removed illegal structures on historical sites, increased literacy rates among public school teachers and students, promoted the arts, championed gay and lesbian rights, and preserved freedom of expression. Many of these pieces appear on my blog as well.

Grant Writing

With over 30 years of grant writing experience, fundraising work and giving grants, I have taught thousands of non-profit organizations how to write a succinct, readable and winning grant proposal.

Many international funders don’t understand the proposals sent from Philippine organizations. They are often criticized for being too “wordy,” “vague,” full of academic and development jargon, and imploring in tone rather than partner-oriented.

International funders increasingly insist that proposals be brief, exact and easy-to-read. They want to read proposals that are not stop-gap measures but contribute to solving or eradicating a problem. They want measurable outcomes rather than hopeful prognostications.

My work in international funding organizations has given me the ability to recognize and discern exactly what these funders want and I will share them with you.

For the grant writing class, you will learn the how-to’s in seeking funding, the research phase, the query letter, the important segments of a proposal and the salient points of a winning proposal.

In all my classes I share the art of writing a persuasive narrative, one most likely to be read and seriously considered. Compelling, gripping accounts about your organization’s work in story telling mode secure grants and garner public support these days.

Advocacy Writing Workshop

October 29, 2009

9:30 AM – 5:00 PM

PhP 3,500 pesos

Grant Writing Workshop

October 31, 2009

9:30 AM – 5 PM

PhP 3,500 pesos

Grant Writing Workshop

November 5, 2009

9:30 AM – 5:00 PM

PhP 3,500 pesos

Reservations necessary. Text/call 0926 729 9029 or 0917 419 5928 or e-mail jsilva79@mac.com

All workshops include a CD containing supplemental study material. A non-refundable fee of PhP 2,000 pesos will be applied towards your reservation.

All workshops are held at the Ortigas Library, Ortigas Building located at the corner of Meralco and Ortigas Avenue, Ortigas Center, Pasig City.

John L. Silva, who conducts all the workshops has had 30 years of fundraising experience having worked for Oxfam America, the American Cancer Society and Greenpeace. He is a co-founder and former trustee of Venture for Fundraising, an NGO teaching fundraising to other non-profits locally and throughout Asia. He is fundraising adviser and trustee to various organizations such as Ballet Philippines, Hands On Manila, Synergeia, the National Museum and Mangyan Heritage Society. He has lectured and taught fundraising courses in the Netherlands, India, and Malaysia to international NGO's. He is a published author and has written for various publications here and abroad. Read him at:

http://johnsilva.blogspot.com/

Thursday, September 17, 2009

IMELDIFIC ISN’T FUNNY ANY MORE

By John L. Silva

(Imelda in front of the Cultural Center with drag queens in the background. Photo by Steve Tirona, Silver Lens Gallery Manila)

The recent Cultural Center of the Philippines’ costly extravaganza entitled Seven Arts, One Imelda, honoring former first lady Imelda Marcos’ founding of the Cultural Center was offensive and insensitive. It exacerbated the already wide division between the poor and the rich in this country.

Mrs. Marcos arrived in her signature terno with a bib of rubies and diamonds draped around her neck. She sat enthroned with her fawning sycophants through a variety of acts performed by artists she had sponsored in the past.

Since the evening’s program solely emphasized Mrs. Marcos’ role in arts patronage, the center’s fortieth birthday was quickly forgotten, and the artists’ performances eclipsed. Instead, Mrs. Marcos was given carte blanche, allowed to display ostentation as she is wont to do, which if memory serves us right, was an important factor in the overthrow of the Marcos government in 1986.

When the Cultural Center was inaugurated in 1969, there was criticism for its expensive construction, for cost overruns and kickbacks. It became a hated symbol of wasteful, conspicuous spending. Despite declarations then by Mrs. Marcos that the center would highlight the best of Filipino arts and culture, it was known more for hosting foreign performers with accompanying lavish celebrations that further rankled the general public. The center became a private auditorium for Mrs. Marcos, for catered affairs when necessary and its cultural fare dictated by whim rather than sobriety.

After the discredited Marcos regime was expelled, through time and more sensible management, the Cultural Center was exorcised and morphed into an accessible and well loved venue for all social classes. It started presenting more locally based productions and thoughtful performances. Shorn of its elitist stigma, the building’s architecture has even been given a second look and is now recognized as one of our finest cultural edifices.

It is appalling now to see a return of the obscene glitter and bling that was thought to have been dispensed with in the 1986 People Power revolution. In the not so distant past, overthrown despots faced the guillotine or firing squad. In more recent times, exile was preferred, and in the case of a magnanimous Philippines, there is the option of returning. But certain codes of conduct, unfortunately not spelled out, nonetheless do apply. That is, the returning vanquished party should have the decency to change their old ways, the ones that got them into trouble in the first place. Like flaunting their jewels and ill gotten wealth.

While the various court cases against Mrs. Marcos have yet to be resolved, many Filipinos have given the former first lady a wide berth due to the way she has lived and conducted her life. Cultural workers such as myself, have on occasion begrudgingly given her respect due to her having been a cultural proponent in the country, despite the controversy surrounding her political reign.

But when Mrs. Marcos wraps herself in jewels and struts her stuff, shoes and all, again, oblivious to a world that has roundly condemned her opprobrious behavior, she empties any remaining reservoir of civility and the abeyance of guilt that the patient Filipino people have afforded her. Her actions revive the memory of the reviled symbol the Cultural Center once was. We are indignant again by Mrs. Marcos who mocks the required social etiquette of living in a poor country.

The major initial funds of $3.5 million for the building of the Cultural Center were given by the United States, in effect, by American taxpayers. Subsequent donations came from Filipino taxpayers, along with donations from wealthy people in a Marcos fundraising practice that was once described by the opposition as “sophisticated extortion.” This tribute to Imelda program, with it’s invitation-only audience and the marked absence of the American ambassador, managed to overlook and not thank the real financial backers of the Cultural Center.

When it was built, the Cultural Center was criticized for its costly price tag. The Marcos loyalists then derided the criticism saying that a center for the arts shouldn’t take a low priority just because there were many more pressing needs. The masses, the argument went, shouldn’t be deprived of art, aesthetics and beauty. I for one would support that argument, if not for the fact that it is now 40 years later and the country is still poor. My tenuous support for the Cultural Center continues so long as people like Imelda Marcos aren’t invited by no less than its trustees to parade their vulgar jewels in people’s faces, particularly poor people. Such behavior has all the semblance of a Marie Antoinette-Let-Them-Eat-Cake attitude and ruins all chances for the country to unite and progress together.

For some of us, we’ve chalked up Mrs. Marcos’ behavior as silly antics, a sort of campy diversion, good for a few laughs and some eye-rolling. But it’s many years later, the humor has gotten quite stale and poverty still besets our country. There are many more Filipinos, in this even harder times, who see this needless pageantry and seethe in insult and collective anger. This sort of spectacle earns editorial ridicule here and abroad, plummets our national ratings in transparency and governance surveys which in turn drives away foreign investors and becomes a rallying point for the aggrieved in NPA and Al-Qaeda lairs. As a bastion for the best of our country’s culture and arts and a magnet for much needed tourism dollars, the Cultural Center has now done a great disservice to itself and to the country.

I take the Cultural Center to task for having foisted a shameful evening at the expense of the Filipino people. As recompense I would like to see a series of performances and exhibitions that were banned during the Marcos Regime. Let the public see what could not be seen nor heard nor read during Mrs. Marcos’ former cultural renaissance. Let the gala opening be dedicated not to one person but to the many who disappeared, were tortured or summarily killed during the Marcos regime. And then let the public decide which type of culture and the arts should receive accolade and support.

Let this anniversary and that kind of repugnant evening be the last of such shenanigans. Will profligacy and debasing our people be the sport for tomorrow or shall we renew the basic standards of decency and egalitarian virtues which a previous revolution had bestowed, albeit fleetingly, on our benighted country?


Monday, August 24, 2009

Adding A Cory Dimension to My National Museum Tour




In a world of short memories, I wanted the life and example of President Corazon Aquino to linger a bit longer. In my regular National Museum tour, I’ve added insights to artifacts and aspects in the museum that explains the values imbibed by the woman we call Cory. The Museum’s American colonial architecture, embodying democratic details from ancient Greece, reveal Cory’s own democratic ideals. Our pre-historic burial jars, beautifully made, prove our long tradition of revering and remembering our ancestors, a steadfast Cory trait. Our ecclesiastical artifacts from wooden altars to devotional saints are keys to Cory’s bedrock faith. Our paintings and sculpture much depicting the suffering and travails of our countrymen are evidence of Cory’s empathy for the poor.

For a limited time, my tour shows Cory’s values originating and intertwined with the best of Filipino artifacts and works of art found in the National Museum. In her last interview, when asked what she thanked God the most for, she replied unhesitatingly, “I thank God for having made me a Filipino.” Come on my National Museum tour and you’ll see what Cory meant.

Young people are especially invited.

Tour Schedules: Aug 26, 29, Sept 2, 5, 9, 12, 16, 19, 23, 26, 30, 2009
Adults: 800 pesos. Young people (18 years) 500 pesos. Group discounts available.

Reservations necessary. Call/text 0926 729 9029, 0917 419 5928 or
e-mail jsilva79@mac.com

Tours begin promptly at 10:00 AM at the rear entrance of the Museum of the Filipino People (formerly Finance Building), Rizal Park, Manila.

Tuesday, August 11, 2009

ASTIG, A HOMOSEXUAL REVIEW



A full length movie entry in the 2009 Cinemalaya Festival
By John L. Silva

Story line: The separate lives of four young men, trying to make do in a tough city. Unbeknownst to one another, the events they go through intertwine with each others’ lives. There’s the bad tempered Salesman hawking false certificates on Recto, (the Manila street known for getting diplomas, certificates, anything fake). There’s hunky Seaman trying to sell property he inherited but located in a bad neighborhood. Then there’s Mr. Straight Laced who’s become padre de familia (the OFW father killed someone in the Middle East, and is in jail) and must make sure his younger sister in college is studying right. And there’s Twinks, who gets a girl pregnant presumably out of love but now has to hawk everything on the street, from stolen toiletries to his cute bod to make sure there’s enough for upcoming hospital bills.

The Salesman, when he’s not humping his fat sugar mommy is constantly on the prowl and, one day, seduces a nice virgin college girl who turns out to be the sister of Mr. Straight Laced, and, when he finds out about it, beats up the Salesman.

Meanwhile, Twinks is desperate, as girlfriend is about to give birth and he’s scrounging around for the last 600 pesos to pay the hospital. He’ll do anything so when he goes with friends to a moviehouse where gay men have sex with callboys, he declares he’ll allow being blown but draws the line on going down on them. He returns later to the movie house and hits up a Fat Old Gay Guy. The Gay Guy demands that Twinks go down on him and there is this long excruciating scene with Twinks looking fairly forlorn as he slowly nuzzles into the Gay Guy’s crotch. The scene is quite graphic but mouth and crotch are so out of kilter that it looks like Twinks is slurping on the Guy’s kneecaps.

The next scene is Twinks holding his newborn baby, hospital bill paid, but alas, he sheds a tear, painfully recalling the sacrifices he’s undergone, including tainting his virgin mouth.

Hunky Seaman on the other hand is trying to sell his condemned property with the most hokiest of lines for each prospect until an older man shows up expressing interest on both property and Seaman’s bod. Seaman accepts the negotiated sale price knowing fully well there’s a sexual string attached. As he’s being ravaged, there’s a close up of Seaman’s face writhing, revealing ecstasy and Catholic guilt. So the next scene, predictably, is him in the shower, soaping himself vigorously, especially his ‘molested’ privates, to remove any trace of male saliva that impugned his manhood.

And to make the point very very clear that he’s very very straight, the fool right after picks up a whore on the street. The bed scene shows him at his macho animal best, lunging at the whore, throwing her in bed, slurping on her tits, and as he’s about to go down on her, the whore’s pimp barges into the room with a gun, knocks the Seaman, and flees with whore and the bag full of money from the sale.

In the tradition of high Filipino drama, we can predict the story’s ending won’t be peaches and cream. There’s an array of woebegone conclusions: Aside from bruised knuckles and swollen fight faces, one character gets VD, passes it on to another who then swallows a whole bottle of pills, while yet another loses his marbles wandering the city naked except for his divine black hip briefs. There’s also minor tragedies like having electricity cut off in a house because they didn’t pay the bills and the indignity of having to get a job in McDonald’s because OFW daddy can’t send money home no more.

I give Astig high marks for the original and rappish musical score, fine acting by all (playing gritty roles is quite a challenge), good photography, and just the right street wardrobe.

The script unfortunately sucks. Two of the straight male characters wind up being exploited and abused by older gay men. Did you see the gay men put guns to their heads so they can get head? Twinks, like many stupid straight men, gets his girlfriend pregnant and has to suck a man for pay. Poor thing. I’m suppose to empathize with his irresponsibility? And what happened to equal sucking rights? If he earlier declares he’ll be OK being sucked, then what’s the problem with sucking instead?

As for hunky Seaman, a note of caution for those who follow in his stead. If you strut around with a tight t-shirt shamelessly showing off pecs and chest, then you are fair game to everyone, including lustful gay men. If you’re buff and show it then expect a proposition. And, if you accept the proposition, then please quit the guilty pained look while being serviced. You’re suppose to enjoy it.

In a bizarre reversal the straight men come off as victims of detestable gay predators! Yes, there are vile gays in this world and a scriptwriter has the absolute right to portray them. But if you make traditionally oppressed gays as predators then the basis for such portrayal has to be believable. Well, the straight men in this movie with their good looks could have had any woman to sleep with and be bankrolled. I’d actually respect a straight man who can’t bear the thought of blowing another guy and instead goes out and digs ditches. But that wouldn’t be a juicy depraved story so let’s dump on the baklas.

When there was some haggling between Twinks and Old Fat Gay Guy over the price of a blowjob, the Gay Guy actually knew Twinks’ hospital bill of 600 pesos. So Gay Guy, after some grousing, magnanimously agrees. At this point, you’d think Gay Guy should get the Mother Teresa Compassion Award but instead, he’s portrayed as a heartless Fat Old Fag who just wants a blow job.

The movie’s raw, underbelly portrayal of rough city life has its good points. We are made conscious of the daily shit a lot of people go through in a city. It is often uncomfortable but good to squirm in your seat and face all this pageantry of pain and even a little redemption. Like Twinks and girlfriend contemplating leaving the city with baby and starting afresh in the province.

2009 is the fortieth anniversary of the Stonewall Riots in New York City where gays, lesbians, transsexuals and their sympathizers decided enough of the repression and vilification and changed the whole world’s views and behavior towards us. Stereotyping, ridiculing, and demonizing this sector is passé in many parts of the world. Astig only confirms to me that this country still has a lot of catching up to do.

Monday, August 03, 2009

The Woman Who Gave Us Our Rights Back


It was a demonstration against Gloria Macapagal Arroyo’s declaration of a State of Emergency on February 24, 2006. It felt like Martial Law was coming. She banned any gathering at EDSA shrine, the ground zero of the February 1986 revolution.

I was in the march headed down Ayala Avenue and did not know until I looked back that we were in front of Cory. There was tension in the air; we were told the Army would stop us. There were plainclothes thugs around. A bomb could be thrown at us. But when I realized Cory was behind me, I felt an obligation to protect her and my fears dissipated. I turned around and took this picture. She looked confident and determined. Later at the rally, she would gracefully but firmly make an appeal to President Arroyo. Resign she said.

Along with many others, I would not have been able to come back to the Philippines to renew life here if she had not led the 1986 revolution. I had been on the Wanted list for having publicly opposed the dictatorship.

And now, happily back for many years, I have been able to say whatever I felt was wrong, advocated for whatever I believed in, written whatever grievance I had. Cory’s passing reminds me that it was she who made these basic democratic rights possible after a long absence.

Her death and the retelling of the revolution she led will hopefully be the deterrent against any new revival to curb these rights.

Thank you Cory for letting me come home.

Sunday, August 02, 2009

A NOTHING OF A PRESIDENTIAL MEETING

On the day President Gloria Macapagal Arroyo met with President Barack Obama, I checked the websites of the major US papers for coverage and the possible appearance of my submitted editorial about President Obama giving cultural and education funds to the Philippines rather than more military aid to Mindanao. (Full editorial on the previous post)

There was no coverage of the visit on the day of and day after. Instead, the visit was lost with the more important “Beer Summit” the meeting between Obama and Professor Louis Gates and Cambridge Police Sargeant Crowley.

In Salon, the main story was about a two-headed baby born in the Philippines.

And later an ad would appear for a detective agency who can check out your Filipina chat to make sure she’s legit. They specialize in “…catching cheaters and liars. We don’t like them either.”

Only the White House Website carried a 13 minute press conference video of the two presidents sitting side by side and making remarks. Obama said the same things we’ve always heard, that we have been long time allies, that there are 4 million Filipinos in the United States…

Arroyo’s remarks were muted as well and she thanked the President profusely for passing the bill that compensated Filipino veterans who fought for the United States in World War II. If there is anyone to thank, it is the veterans and their band of activists that pressed on the bill’s passage for decades.

Obama entertained two questions from the press. A Filipino reporter asked Arroyo’s personal impressions about Obama. And as a followup question the reporter asked Obama his own impressions of Arroyo as well. The inanity of the questions pushed Obama to crack a joke about how much younger he looked.
A second reporter would ask what the press was to expect with the “Beer Summit.” And that was the end of the visit.

And the war in Mindanao continues.

Wednesday, July 29, 2009

When The President Comes A-Calling

John L. Silva

Philippine President Gloria Macapagal Arroyo’s visit on July 30, 2009 with President Barack Obama comes with the likely request for more military aid in to continue the war against Al Qaeda terrorists in her country. A similar request was made five years ago on the last visit with then President George Bush.

The former American colony hasn’t resolved the decades long conflict in the southern island of Mindanao, home to the country’s Muslim population. The government’s army fight against separatists and the more sinister Abu Sayaf group funded by Al Qaeda, continues despite millions of dollars of American military hardware and up to 600 American military advisers on the island.

Despite the occasional capture of senior Al-Qaeda commanders, Mindanao has paid a heavy price. The war and the spate of bombings (38 so far since January) have killed hundreds of civilians, displaced over 500,000 people, orphaned children, and in resentment, recruited boys as young as ten years old to fight for the Abu Sayaf terrorists. Mosques have been destroyed, school houses turned into refugee centers, and with the conflict, human rights violations have increased.

The United States Agency for International Development’s (USAID) program has for the past five years poured money (much of it to Mindanao) into lackluster programs like promoting democracy and governance to increasing business opportunities. Its education funding component has fared better.

Muslim public school students have the lowest literacy rates and the highest drop-out rates in the country. Started seven years ago by the Ford Foundation, and expanded later by USAID, public school teachers are given skills to teach English, Science and Math and school textbooks distributed to elementary students. In just three years, and with smarter teachers, illiteracy rates once as high as 80% among first graders in Muslim dominated areas declined sharply to just above 10%. Working through local non-government organizations (NGO’s) in combat zones, the programs are supported by Muslim parents and the staff work unimpeded and without danger.

One thorny aid issue is the long held practice of using American intermediary organizations, usually Washington D.C. based, who successfully bid for large chunks of USAID funding, and then turn around and issue funding guidelines to local NGO’s working in the field. Oftentimes the guidelines have scant regard for local conditions, verging on impossible objectives, like training out-of-school youths and imposing quotas for job placements in a region where there are no jobs to be had except to be a terrorist. These myopic guidelines have more relevance in America’s inner cities and President Obama’s Indonesia childhood and his community organizing experience may encourage him to review the efficacy of distant funding intermediaries and instead award local NGO’s working in the field.

Meanwhile, there is a disturbing trend of imported Muslim fundamentalist culture appearing in Mindanao impeding the gains made. More teachers and women on the street wear borqas, the all black veil and garment with only the eyes seen and imported from the Taliban culture of Afghanistan.

Teachers confide of increased pressure to ban dancing and singing and the visual arts confined only to calligraphy. A hundred years ago, photographs of Mindanao show Muslim women with heads uncovered or lightly veiled and dancing sensually to native gongs.

An increasing number of informal study centers called Madrasahs have sprouted teaching young boys the Qur’an and Islamic values, its course content not reviewed by the government’s department of education. Government textbooks for Muslim-majority public schools are in scant supply in contrast to a $10 million dollar ten-year commitment by the Libya based World Islamic Society Foundation to distribute textbooks in the Philippines.

The Obama Administration’s new policy of diplomacy with the Muslim world, a precursor to dialogue and debate, and its emphasis on education and cultural exchange may be the novel prescription needed in war torn Mindanao.

Instead of the usual knee-jerk reaction in committing more military aid, President Obama could start reviewing with President Arroyo how his approach to the Muslim world can be translated into more non-combative ways to establish peace in the region.

The Philippine government recently incorporated Madrasah education in the public schools and it would benefit from adapting curriculum reforms being done in the United States and implemented in Saudi Arabian textbooks deleting references like jihad, or holy war and walaa wal baraa, the notion that Muslims should be emancipated from “non-Muslims.” By extension, the Obama Administration could meet with other education funders in Mindanao, like Libya and Australia, to ensure the curriculum they sponsor and the textbooks they distribute have the same reformist orientation.

Despite the hubris about American military might as the harbinger of peace and ensuring global security, it is (until the Iraq war) in universal education, cultural creativity, and advancing diversity that has won much of the world to past and present Pax Americana. Establishing a public education system in the Philippines at the turn of the 20th century ended a bloody Philippine American War. Transporting 700 American teachers (called the Thomasites after the ship that carried them) to teach the ABC’s to peasant Muslim and Christian children established the foundation for an egalitarian society, and did more to establish peace and amity than the 126,000 American soldiers sent to fight in that war.

Implicit in advancing diversity in the United States was many years of hard non-violent struggle, eschewing dogma and always finding common ground. One resulting outcome, the election of President Obama, resonates deeply with tens of millions of young people throughout the globe who by circumstances are poor, discriminated against, deprived of freedom and opportunity. It resonates as well with young Filipino Muslims today, on the brink of changing their lives for the better or for the nightmare we dread and will regret.

Instead of arms, send books of the widest breadth in subject matter. Send cultural performances and exhibitions that expand notions of aesthetics and exalting the human form. Send Muslim-American clerics who foster inclusive and peaceful interpretations of the Qur’an. Send civil libertarians, peace and gay activists proving tolerance makes a great nation. Send the enormous assemblage of talent that promote cultural excellence and pluralism as the preferred ammunition for this administration and the allure and cachet of Islamic fundamentalism will, in this region, wither on the vine.

John L. Silva is a trustee of Synergeia Foundation, an education reform organization, teaching public school teachers throughout the country including Mindanao.

Tuesday, March 31, 2009

VIETNAM BECKONS, AGAIN


ARTS, ARCHITECTURE AND FINE DINING: HANOI, HUE, HOI-AN AND DANANG
MAY 25 - 30, 2009


March 25, 2009

Dear Friends,
My recently concluded Vietnam tour was such a success that I am doing it again for those whose schedules couldn’t fit the first time. There will be just a bit of tweaking (mostly in the order of fine dining on which day), an added side trip to Ho Chi Minh’s house, and an optional tour of the heritage site Halong Bay but everything else will be the same enchanting tour that my first group experienced. This will be a limited group so please read my itinerary over and come on board. Vietnam will amaze you.

Monday, May 25

Depart 1:10 pm PAL to Saigon. Transfer Vietnam Airlines and arrive in Hanoi at 7:30 pm. (For those interested in a whole day Halong Bay trip, it is recommended they leave the day before)
We check in at the Hotel Sofitel Metropole, a colonial masterpiece. Before dinner we shall walk the neighborhood visiting several contemporary art galleries. Along the way we will appreciate the Opera House and other colonial buildings lit up in their full glory.
We shall dine at Opera, the Vietnamese restaurant across from the hotel, deemed one of the best by the group.

Tuesday, May 26


A full day ahead. After a hearty breakfast we visit the Vietnam Fine Arts Museum, containing fine and decorative artworks housed in a 1937 graceful Indo-French Deco building. Its 28 survey rooms cover iron age materials, 11-19th c. dynasty Buddhist and Cham objects, folk crafts and woodblock prints. There are exquisite works on lacquer and silk. My favorite is the last floor replete with 20th c. paintings produced by the first wave of Vietnamese graduates from the 1925 French-established Ecole des Beaux-Arts de l’Indochine.
To rest our heels, we shall motor around the city, seeing the best of French-colonial architecture that abounds stopping at the National Museum of Vietnamese History to admire the city’s most aesthetically pleasing of colonial edifices. It is a wonderful hybrid of Western concepts of space and Eastern decorative devices. We shall wander its shaded garden, enjoy the stone and terracota sculpture from the 11th to the 19th century. That morning we would have reviewed a significant breadth of Vietnam’s history and culture so we can munch.
Lunch:
We must try Restaurant Bobby Chinn known for its Asian/Pacific fusion dishes. We had their set menu in a private room, raved
over the ten courses, and surprise, gorgeous Bobby came to our room, regaled us with stories, showed off his contemporary paintings, and we all bought his book.
After a delightful, slow food lunch, we take our bus once more and visit two contemporary art galleries, Art Vietnam, and Apricot Gallery. The latest in artistic energy are found in these spaces. By late afternoon we return to our hotel and the energetic ones can take a complimentary one hour pedicab tour of the Old Quarters to soak in the ambiance and mark out which section to return and shop to your hearts content. Or jump out of the pedicab and buy it there and then.
Return to the hotel to prepare for dinner at Press Club a chummy continental cafe right across the hotel.

Wednesday, May 27

A more leisurely breakfast this morning and we drive to Ho Chi Minh’s simple house on the presidential grounds. We then proceed to the Museum of Ethnology, which I rate as one of the best in the world in presenting the diverse groupings that populate Vietnam. There’s outdoor exhibits showing vernacular architecture and inside exhibits with the best of textile and ethnic wares. I was amazed at the similarity of a Montagnard group’s weaving and clothing with that of our Cordillera group.
Lunch will be at the Paris Deli, a divine bistro with a balcony that overlooks trendy Nha Tho Street and St. Joseph Cathedral at a distance. With a glass of Beaujolais Nouveau, and the view outside, we are happily disoriented.
The afternoon will be devoted to the Old Quarter to shop from linen to lacquer. Vietnam shopping is still very reasonable and we might as well stock up on doilies, table mats and beddings. We will split into three groups, those who want linen and embroidery, those for antiques, and those who want to go back to the art galleries.
Dinner will be on your own if you need to pack for the next day. For those interested there’s Cafe des Arts (where else?), a lively painting-filled brasserie with a French menu featuring classics like bouillabaisse and steak tartare. We’ll catch their regular art exhibitions held inside the restaurant.

Thursday, May 28

Our Vietnam Airlines flight departs from Hanoi to Danang at 2:30 pm arriving at 3:45 pm. Our coach takes us to the Golden Sand Hotel Resort and Spa in Hoi An. After checking in at the hotel, we do a one-hour walking tour of Hoi An, a UNESCO World Heritage town. From the 16th - 18th century, Japanese and Chinese traders came and left their architectural imprint on bridges, temples, courtyards and wall murals. Along the way there are wonderful little shops brimming with textiles and handicraft to be tempted and disappear into. There’s the charming Cafe des Amis with no set menus but an effusive Chef Kim to delight you with his scallops on the half shell, stuffed calamari and fried won tons. The persnickety New York Times calls it the “best meal in Vietnam.” Or, if the heat has gotten to us, there’s our nearby resort, good dining and a soothing spa.

Friday, May 29

We leave earlier than usual to drive north to Danang to learn about the ancient Hindu state of Champa (2nd - 6th century) which pervaded the area even before the arrival of the Vietnamese. We shall visually feast on the Museum of Cham Sculpture, an open air museum, founded during the French colonial period by the prestigious Ecole Francaise d’Extreme Orient. The museum, with a bucolic garden built in 1915 is another East-Meets-West hybrid but this time, its European structure has a Cham influence overlay like towers, temple adornments, columns, and turrets.
We then proceed to Hue, the ancient capital until the last king decided to move to Hanoi in 1945. A long line of indulgent emperors created architectural legacies with charming lakeside gardens to compose poems in the evening. A few were out of control, one having 102 wives. Another had 52 course dinners. Daily. We get a whiff of their sybaritic lifestyle in the main citadel built by the Nguyen dynasty in the 19th century. For obvious reasons, this resplendent dynasty would be the last, ending in the 1954 partitioning of the country at the Geneva Convention. We shall walk the grounds, peer into the Forbidden Section and soak the whole royal ambiance.
Lunch will approximate what the royals ate in taste, but slightly lesser in dishes. A French villa nearby, Y Thao Garden, has a wonderful set menu starting with their popular lightly battered eggrolls.
After lunch we shall journey nearby to Emperor Tu Doc’s palace, the most resplendent of all the royal sites complete with a charming lake.
We head back late afternoon to our resort where we dine there and start packing for the journey home the next day.

Saturday, May 30

We leave Danang for a 1:40 pm flight to Saigon, and transfer to a 3:55 pm PAL flight back to Manila. Those who wish to stay the night in Saigon can do so at the historical Caravelle Hotel for just $100 per person.
We just experienced the best of north and central Vietnam arts, culture, and dining.
If you wish to come along, call Anscor Casto, ask for Em, at 810 0079 or call/text me (John Silva) at 0926 729 9029 or e mail me at jsilva79@mac.com

Thursday, March 05, 2009

SOMETIMES A PAINTING NEEDS A DASH OF INSIGHT: THE GRAND TOUR OF THE NATIONAL MUSEUM



Works of art are appreciated by their own merits. But oftentimes a painting or a sculpture has a story that adds to its worth. Or a brushstroke, almost imperceptible, that needs pointing out, and expanding a painting’s dimension.

John L. Silva’s renowned three-hour tour of the National Museum’s painting and sculpture collection incorporates history, interpretation, and even a little humor.

Get to know the Philippines from as far back as 40,000 years ago through its fascinating archaeological artifacts from stone-age tools to exquisite textiles.

Understand the country today with its colonial period collection from Spanish ware to American architectural influence on the two buildings housing the National Museum.

All tours begin at the rear entrance of the Museum of the Filipino People (formerly the Finance Building) located on Finance Road and fronting Rizal Park. Tour covers two buildings and over 20 galleries.

Come and discover a fascinating Philippine past. It will astound you.

Tours start promptly at 10:00 AM and ends at 1:00 PM.

TOUR DATES: MARCH - MAY ’09

March 25, 28,
April 1, 4, 15, 18, 22, 25, 29,
May 2, 6, 9, 13, 16, 20, 23, 27, 30

TOUR FEES:
800 pesos Adults
500 pesos Youths

RESERVATIONS NECESSARY:
Call/Text 0926 729 9029, 0917 419 5928, 527 5082 or e-mail jsilva79@mac.com

Lunch afterwards? Try La Cucina de Tita Moning. A gustatory experience. Website: http://www.lacocinadetitamoning.com/

A blogger gave a review of my tour recently. Check it out:

http://witsandnuts.com/2009/01/25/museum-of-the-filipino-people/

Monday, September 15, 2008


Thursday, September 11, 2008

STOP THIS OBSCENE BILL. The Anti-Obscenity and Pornography Senate Bill No. 2464

by John L. Silva

In July of this year, the Anti-Obscenity and Pornography bill of 2008 was introduced in the Senate for deliberation by Senator Manny Villar. The bill has a lofty preamble about the state valuing the dignity of every human person and safeguarding the moral, spiritual and social well being of its youth and women from “the pernicious effects of obscenity and pornography. “ After that sentence, the bill goes downhill.

The bill defines obscenity as anything indecent or offensive to good customs, religious beliefs, principles or doctrine, that will “deprave the human being,” “…excite impure thoughts, or violates the proprieties of language and human behavior.” Specific examples include the showing, depicting, or describing sexual acts, sexual organs, the female breasts, and nude human bodies.

Any writings describing “erotic reactions, feelings, or experiences on sexual acts” or performing live sex acts were also included.

Pornography in the bill are any objects or subjects from film, tv shows to photographs, music, paintings, advertisements, literature and others found in every form of medium from digital to video to film, tv shows, electronic media, print, outdoor advertising and broadcast media that “… excite, stimulate or arouse impure thoughts and prurient interest.”

The draconian features of this bill is in the penalties and punishment imposed. The live sex act performer gets 1 – 3 years in jail and from 100,000 to 300,000 pesos in fines. There are intermediate level punishments for writers but the stiffest is reserved for the artist, painter or producer of any artistic work getting 6 – 12 years in prison and from 500,000 to one million pesos in fines.

Given the bill’s limited definition of obscenity and pornography, the following events and material may now fall under these categories.

In two weeks, for instance, there will be a major retrospective of National Artist Fernando Amorsolo’s works to be exhibited in seven museums including the National Museum.

Many of Amorsolo’s works are females nudes with exposed breasts. If the bill passes, they shall be deemed obscene and the show organizers liable for punishment.

Many museums and private galleries have nude drawings, paintings and sculptures by various artists, some by national artists. These artists, numbering in the thousands are now open to obscenity and pornographic charges and liable for punishment.

The painter get the stiffest sentence of 6 – 12 years and up to 1 million pesos in fines. National Artist Bencab’s nude paintings recently shown at a private gallery makes him, the gallery owner and the gallery staff liable for prison terms and get the full brunt of the law.

In the performing arts, there are theatrical presentations and dance performances whose themes cover sexual expression and sensual vitality. Much of the musical compositions we listen to each day also contain or suggest sexual intimacy.

This bill would interpret such performances and songs as arousing prurient interest and therefore obscene and punishable.

The composers, the recording studios, the distributors, the music halls, the restaurants, the discos, the pubs, all are now liable for playing music “ that depraves the mind.” Deprave means making you wicked.

Publishers, printers and retailers such as National Book Store and smaller stores publishing or carrying titles that “arouse impure thoughts” are now liable for the stiffest sentences.

The movie industry and the indie video industry have and still do make films exploring sexuality. They too will get the maximum sentence.


Advertising companies and their corporate clients are one of the more vulnerable sectors with this impending law. Their billboards, meters high, revealing significant flesh or posed in ways suspected of being immoral will be the first targets of this bill.

The printed media, the broadcasting sector and those engaged in tv productions with their scantily clad girls on noontime shows and overwrought telenovelas will fall under the scrutiny of this bill and will be punished.

This anti obscenity and pornography bill can detour and go after organizations tangential to the bill’s focus. For example an organization promoting family planning, safe sex and condom use will be considered arousing prurient interest (meaning an excessive interest in sex) and can be hauled to jail.

Obscenity is defined as anything against good customs, religious beliefs, principles and doctrines. But who decides good customs, and whose religious beliefs and principles and doctrines are we favoring? There are organizations that do not subscribe to that culture such as indigenous people’s organizations, minority religious organizations, organizations promoting alternative lifestyles such as gay and lesbian organizations and organizations espousing radical and or socialist ideas . Their beliefs can now be deemed contrary to the prevailing customs and punishable.

The bill’s assault on basic Filipino liberties and rights will have serious cultural and economic implications. Arts and Culture deprived of creative expression will be sterile and not saleable.

Suspected books and the printed media will be banned and the publishing industry will teeter and collapse. The manufacturing sector involved in the selling of goods whose advertising pitch depends on exalting the human form will suffer financial loses.

The broadcasting media, the film and video industry and the internet industry, dependent on unfettered information will be curbed and subject to financial ruin.

Our tourism industry will suffer considerably. If our society loses its unique tourist branding as one of the freest and most liberal in Asia to be replaced with a monastic authoritarian state, then who in their right mind would come and visit a poor version of Saudi Arabia?

If this bill passes, the Philippines will be made a pariah in the international community akin to North Korea, and in violation of the United Nations Declaration on Human Rights of which this country is a signatory to its principles.

While former authoritarian regimes have long awakened to the benefits of a freer market society, like the People’s Republic of China, our Congress and now the Senate is contemplating the retrogressing of a democratic Philippines to a backward and repressive society like Burma or Iran.

One might question the doomsday scenario I’ve painted. Surely, no reasonable mind would think of an Amorsolo nude as “stimulating impure thoughts.”

Unfortunately, insidious wordings are inserted in the bill to make an obscenity or pornography charge unassailable. For example, an obscenity charge can be made on anyone “regardless of the motive of the producer.” This means if an artist draws nudes to simply learn how to draw anatomy, the government can dismiss his motive outright and declare the drawing obscene and pornographic.

In the proposed bill, the following government agencies are deputized to be arbiters of good taste and must duly inform the law enforcers on people committing immoral acts. They include the Philippine Information Agency, the Movie and Television Review and Classification Board, the Optical Media Board, the National Telecommunications Commission, the National Youth Commission,
the Department of Public Works and Highways, and the Metropolitan Manila Development Authority.

Except for the Movie and Television Review and Classification Board or (MTRCB) who style themselves as the moral guardians of our society by getting aggrieved over swear words and jiggling breasts, the rest of the agencies have no experience whatsoever as to what constitutes pornography. The DPWH can be commended for its efforts in removing illegally placed billboards on our highways but they don’t have the wherewithal to pass judgment on their contents.

How did these legislators in Congress, and now the Senate, become the judge of “impure thoughts,” “erotic feelings” and the corruption and depravity of the human mind? If anything, given their track record, the public wonders about these legislators’ own impure thoughts, their erotic feelings and the corruption and depravity many of them have been involved in. In a word, the public would like to know what right and qualifications does Senator Manny Villar who introduced the bill, to pontificate and judge what we should draw and paint, read, listen to, watch, google, and send at any time?

This Anti-Obscenity and Pornography Act of 2008 violates the Philippine constitution, whose basic tenets are freedom and democracy. The bill likewise insults the intelligence and judgment of the Filipino people.

The bill in particular violates Article II Section 5 stating that the protection of our liberties are “essential for the enjoyment by all the people of the blessings of democracy.” “All” includes people who hold divergent views on what constitutes obscenity and pornography. And in this country, a significant part of this population will take exception to those definitions.

The bill violates Section 6 which states the separation of church and state shall be inviolable. Inviolable means “never to be broken or infringed.” This proposed bill is clearly the agenda of a religious right in this country and if passed, will make this government a handmaiden to the church rather than the separation clearly stated in the constitution.

Section 17 reads the state must among other things give priority to education, arts, culture, and, “the total human liberation and development” of its people. The expanding and unleashing of creative expression, from the arts to culture to sexuality fall under this rubric. This quest for human liberation may be considered obscene in some quarters but is covered, protected and guaranteed by the constitution.

In Article III which enshrines our bill of rights, the proposed bill violates Section 4 which states “No law shall be passed abridging the freedom of speech, of expression, or of the press…” This particular passage found in the constitution of the United States and of many other civilized countries in the world has been the bulwark against every failed attempt to impose similar draconian anti-obscenity and pornography laws in their countries.

In Section 5, it states there will be no law made to highlight one religion and it allows the freedom to worship other religions without discrimination. The current definitions of obscenity and pornography is Judeo-Christian based and you can find similar if not exact definitions in Catholic catechism books and in the bible. If this bill passes, the state codifies and implements the definition of one religious sector. What happens to Protestant denominations more laxed about sexual mores but still considered sinful to current Catholic teachings, such as homosexual union or condom use. These denominations and even Filipino agnostics and atheists will be deprived of the free exercise of their beliefs and is a violation.

The Philippine Constitution, a permutation from the American constitution through several conventions in the past seventy years is now a mature Filipinized version cherished by its citizens. Inserted repeatedly and stressed in the constitution are the words freedom, democracy, equality, human rights and the common good. These words may have had American antecedents reflective of their own history but we have now imbibed them in the fabric of our own society. Because of these words we do have, in comparison to our Asian neighbors, a vigorous democracy, a relatively free press, a wide latitude in divergent thinking and expression, and a liberal society with access to information and ideas envied by our neighbors.

Our definition now of freedom and human rights has evolved to an even more sophisticated level past that of the American constitution because we endured a period of repression that violated individual rights. The words human rights and freedom take on greater personal meaning and substance to our generation who suffered without them.

What about the basic issue of pornography, the depiction and exploitation of women and children in pornographic materials which may have been the genesis of this bill?

The Philippines earns 1 billion dollars yearly in pornography revenues making it number ten among all countries earning through pornography. Civil libertarians like myself acknowledge this as a serious problem and cite a similar experience in Indonesia.

In 2003, a stringent anti-pornography bill was introduced to protect Indonesian youth from websites they deemed pornographic. But the bill included prohibitions like kissing in public, the wearing of tight clothing, the exposure of any body parts and the banning of artistic shows containing nudity and sexuality. Fundamentalist Muslims, some of them linked to the more extremist Al Qaida groups were one of the proponents. The bill created an uproar with the moderate Muslim majority, the Hindu population on Bali, and other non-Muslim minority groups. The bill was stalled for years and in March of this year, a watered down alternate anti-web porn bill was passed which will filter pornographic websites in public school computers with internet access. All the other concerns that would have violated individual rights were not included.

In the Philippines, if this bill is meant to combat the exploitation of women and children in pornographic materials, it has mushroomed into a much broader all encompassing measure which now infringes on the basic constitutional rights of all. If the legislators are truly serious about combating pornography with regards to women and children, then they should enforce the laws already present, like Article 201 of the Penal Code, and mount a public information campaign on its ill effects. Stiffer penalties should be imposed on those involved with this form of pornography. If we have a one billion dollar pornography industry and there have only been a dozen arrests and trials, it says a lot about the lack of law enforcement in this country.

The exploitation of women, and men, and children in pornography boils down to poverty and they will subject themselves or be coerced into this business for basic human survival.


The Indonesian anti-pornography bill was severely criticized by former president and religious leader Gus Dur and his wife Sinta Nuriyah. They said that rules determining morality only aided Muslim fundamentalist groups and did not help in the creation of prosperity. In fact they thought the bill was funny and told the parliament to cancel it. Sinta Nuriyah added that there were more important issues to address such as domestic violence, discrimination against women, maternal death and illiteracy, all these root factors that lead women to being exploited in pornographic materials.

Right now the Senate Bill has been sent to the Committee on Justice and Human Rights chaired by Senator Francis Escudero. The other members include Senators Benigno Aquino III, Alan Peter Cayetano, Pia Cayetano, Juan Ponce Enrile, Gregorio Honasan, Ramon Revilla Jr., Rodolfo Biazon and Jamby Madrigal.

The full contents of this bill can be read by going to the Senate of the Philippines website and inserting Senate Bill No. 2464 in the appropriate box. If you are opposed to this bill, please call, fax, text or e mail their offices, register your opposition, and tell them to cancel it in their committee deliberations.

The Anti-Obscenity and Pornography Bill is the overturning and undoing of all the struggles fought by our heroes and ordinary citizens in the pursuit of the freedom to be, and the freedom to express.


Jose Rizal’s novels were considered obscene by the Spanish colonial government because they were contrary to Spanish principles and “corrupted the human mind.” His books were banned and anyone possessing them were sent to jail. Rizal’s most ardent foe were the friars who hated Rizal’s membership to masonry an organization which challenged the Catholic version of God’s supremacy, the religion’s belief in miracles, and its aversion to scientific inquiry and alternative thinking. Even today, the Catholic Church bans its members to be masons with excommunication as punishment. And until recently, reading Jose Rizal’s novels were not allowed in some Catholic schools. The current religious right in our country are the descendants of the old colonial order of friars and conservatives who see their version of obscenity and pornography everywhere and are attempting to reimpose their convictions by employing this government to violate the constitutional mandate on church/state separation, and pushing for this bill’s passage.

This bill insults Jose Rizal and all other libertarians that fought for our individual rights. It violates the Philippine constitution and will be used to impose a repressive fundamentalist state. It is anti-art and demeans the whole notion of sexuality. It is not the answer to the exploitation of women and children in pornography. The bill should be cancelled.

Monday, September 01, 2008


This picture was taken by one of my museum guests, whose name I need to search. It's one of a pair of staircases on both of the entrance of the former Legislative Building now the National Gallery of Art. They are quite sensual as the float up the floors. The colonial era building is such an added bonus to my tour. Everyone likes to walk in buildings that have an old world charm.

Come on my tour. It's not just artifacts but architecture too.

Email me for the next dates or look for my posting in my blog that contains the dates.

TTFN

(Tata For Now)

Thursday, August 28, 2008

THE SPOLIARIUM BY JUAN LUNA AND THE MAKING OF OUR NATION. THE NATIONAL MUSEUM TOUR.



"Thanks for the tour. It was truly inspiring! It made me proud to be a Filipino and to be part of a very rich heritage."
April Inocentes


 Tour dates are September  24, 27th,  October 1, 4, 5, 8, and 29th, November 2, 5, 9, 12, 19, 22, 23, 26, and 29th, 2008

There’s a serenity when you enter the Museum of the Filipino People. It’s summertime and the venerable building is quiet with a sprinkle of foreign visitors and balikbayans wandering the halls. You can actually admire the long sun-lit corridors and its peaceful courtyard with an authentic Cordillera tribal hut holding sway at one corner.  

During school days, this museum, as well as its larger companion the National Gallery of Art across the street, are thronged with school children on their yearly field trips. Dozens of school buses are lined up in the parking lot, while chattering and excitement echo through the two colonial buildings, making for a pleasant pandemonium. The children are eagerly learning about their cultural heritage and having a great time.

But on this quiet summer day, I am leading 20 visitors through the Museum of the Filipino People’s 14 galleries, entering each tranquil space and pondering artifacts and artworks. I usually start with our permanent galleries on the third floor, which chronicle the beginnings of our island formation. Through found personal adornment, indigenous pottery, anthropomorphic burial jars and reconstructed burial sites, my visitors intuit the sophistication and living standards of the tribal groups that dotted the archipelago.
In our anthropological galleries, I emphasize the diversity of our country, from its languages and dialects, customary practices, and ways of living. Our artifacts, exquisite brassware from the Muslim south, intricate weavings from the central Visayas to finely chiseled woodcarvings of the Cordilleras, lovingly presented in modern and well-lit display cases, weave a fascinating tale of the island’s richness and kinship to venerable kingdoms and empires in Southeast Asia. Many visitors from these parts, when touring the museum, will remark so often at the similarity of their artifacts and tradition to ours. It takes only a few more “coincidental” artifacts to realize that prior to the arrival of European colonizers, there was a fluidity in trade relations throughout the region and, before we started carving ourselves into nations, were very much connected by trading outriggers large and small, guided only by the night stars. They, in turn, gave the whole region similar epic stories, similar clothing, similar musical instruments, similar words, similar writings, an affinity that is still being reawakened through museums after a lengthy colonial mindset.

My group now thoroughly apprised of their Asian roots is led through the temporary galleries containing exhibitions from abroad, further enhancing our origins. The Museum of the Filipino People has hosted textile exhibits from India, galleon treasures from the Americas, and most recently, the finest collection of gold and brass statuaries from China, further confirming our affinities with old fabled kingdoms. There are still a few galleries in this museum that exhibit our own artistic works and prestigious competitions with their winning entries, like the Philip Morris Arts Awards and the Directory Philippines Corporation Art Competition, grace the walls of this museum. Our young talented artists are given due recognition and their works proudly hang amidst our national masters. Many visitors find them breathtaking because in the midst of our struggling society, we have managed to inculcate a very high level of artistic standards in budding artists today. The museum exalts that genius, and when my group leaves this museum to cross the street to enter the National Gallery of Art, we find clues and answers to such caliber in its seven galleries.

The National Gallery of Art is a recent and second addition to the National Museum’s complex of three buildings given to the public in 1994 by then President Fidel Ramos. The gallery, formerly the Congress Building, was originally designated as the National Library and Museum when it was built in 1916 during the American colonial regime. But it was taken over
by the legislators soon thereafter and became the seat of government, where presidents were sworn in and laws passed until President Ramos reverted the building to the National Museum.

The grand formal entrance of the gallery with its modern and whimsical chandeliers designed by Impy Pilapil was sponsored by Washington Sycip (who sponsored the formal entrance of the Museum of the Filipino People, as well). Its dignified tone lends significantly to the breathtaking feeling when one enters the Luna and Hidalgo main gallery and sees across the room, the massive painting “Spoliarium” by Juan Luna.

The painting’s brooding dark canvas exudes tragedy. The scene is the exit room of the Roman Colosseum called the Spoliarium, hence its name. The injured and dying gladiators are being dragged in. To the far right, a woman is half-sprawled on the floor, with her back turned to us. We do not see her face, but her crouch, her hands seemingly to her face, her head bowed and despondent, reveals only sorrow. To the far left we see Romans cheering on the next batch of gladiators in this blood-letting sport. It is barbarism captured on canvas and the Bellas Artes competition of Spain in 1884 would award this entry the gold prize. To everyone’s happy amazement, the second silver prize would be awarded to another Filipino artist, Felix Resureccion Hidalgo.

This painting inspired the young Jose Rizal, then a medical student and a close friend to both artists. Rizal, in his toast to the two artists at a celebration several weeks after, congratulated them and proceeded to declare the end of colonial patriarchy. After all, he reasons, if Filipinos can now equal the Spaniards in the arts, why couldn’t we be equal in political rights? It was a turning point for young R
izal. He had made a declaration. Several months later, he was involved in campus demonstrations and began to write the first sentences to his anti-colonial novel, “Noli Me Tangere.” The medical student’s career path was irrevocably altered, and he dedicated the rest of his life and even gave up his life for his country. It all started with a painting in front of us.

There is a gallery dedicated solely to the works of our National Artists. In 1972, then President Ferdinand Marcos initiated the award with Fernando Amorsolo as the first recipient. There has been a cortege of artists and sculptors—Manansala, Botong Francisco, Napoleon Abueva, Ang Kiukok and Ben Cabrera, to name a few—given the same accolade and their works hang throughout this exclusive and permanent gallery. What is interesting is the National Museum has secured, through donations, the early works of some of these artists and it is a treat for aficionados to discover the early lines, shapes, and colors that would be the artist’s later imprint.

Several more galleries are on this floor, with the Museum’s holdings stretching from the late 19th-century to the present. The Museum has a bias towards history, so paintings that chronicle the country’s past through Jose Rizal’s sculptures, Manila of the 30s, the tragedies of World War II, People Power, and the continued desire to record the social realism of today have visitors at the end of the tour feeling a sense of wholeness and accomplishment. They had seen their country’s past through the arts and artifacts. They leave the Museum’s grounds with a levity and pride they had not felt before they entered. Jose Rizal once said that the years of colonial domination and the culture imposed made us lose our songs, our way of life to a point that “…we had despised ourselves.”

The National Museum complex, Rizal would agree, returns that life lost to us again.

John L. Silva is Senior Consultant of the National Museum and has the most fascinating stories and insights about the collection. He guides in an interesting and humorous manner and delighting and inspiring his audience to be proud of their culture and history.

A portion of the fees (700 pesos for adults, and 500 pesos for children up to 18 years) goes to John's I LOVE MUSEUM PROGRAM, bringing public school teachers to the National Museum to appreciate the arts and later bring their students. Studies show that an arts educated child raises their academic achievements, promotes love of reading, and become better citizens.

Each tour is three hours in duration, beginning at 10:00 am sharp (ending at 1:00 pm) at the rear entrance of the Museum of the Filipino People, (former Finance Building) Agrifina Circle, Rizal Park. Attendees are requested to wear walking shoes (please no heels) and reservations are strongly encouraged by texting or calling John Silva at 0926 729 9029. Or reach me at jsilva79@mac.com Tour dates are  Sept 24, 27th,  October 1, 4, 5, 8, and 29th, November 2, 5, 9, 12, 19, 22, 23, 26, and 29th, 2008

Please pass this announcement to your friends.

See you at the National Museum.

John L. Silva

Thursday, May 08, 2008

LOST AND FOUND


(printed in Philippine Starweek Magazine, March 4, 2008)

What an incredible year this has been! I liken it to looking up to the night sky and seeing millions of glittering stars. They were all just beautiful stars until October last, when it turned out, one of those stars actually belonged to me.

A woman alights from the hotel van with her two daughters. They’re Australian and it’s their first visit to the Philippines. My sister Marie and I look at the older woman intently. She flashes a smile and says “Finally.” We hug her tightly and cry.

Before October and the sixty other Octobers past, she was an Australian working and living in Brisbane. Today, thanks to my sister Marie’s persistent research and the internet, we are hugging our newly found half-sister named Isabel Castner and her daughters Angie and Jacqui.

World War II is the starting point of this story. General Douglas MacArthur, retreating in April 1942 from the Philippines to Australia said to a reporter upon arrival that he was organizing a counteroffensive against Japan “…the primary objective of which is the relief of the Philippines. I came through and I shall return.”

Three months later, MacArthur set up the Allied Intelligence Bureau (AIB) with headquarters in Brisbane, a combined Australian and American team intercepting and decoding all Japanese radio transmission in the Pacific. A Philippine Regional Section of the AIB was also established to train and send soldiers to the Philippines to collect intelligence, transmit Japanese troop movements and support the resistance.

At the outbreak of the war, our Dad, Saturnino (Tony) Ramos Silva, a graduate from San Francisco State College, was one of seven thousand Filipinos in the United States that immediately enlisted in the US Army to help in the liberation of their homeland. After extensive interviews, he, along with five hundred volunteer Filipinos were chosen and flown to Australia to undergo the AIB’s commando and reconnaissance training for secret missions in the Philippines.

Dad arrived in Australia in May 1943 and was brought to Camp X, (Camp Tabragalba) in Beaudesert outside of Brisbane. They shuttled between that camp and the Canungara Jungle Warfare School where they trained for the next 10 months in infiltrating enemy lines, demolition techniques, sniper fire, and hand-to-hand combat. They also learned to track troop and transport movements and later, radio the information to AIB headquarters, a two-story mansion on 21 Henry Street in Brisbane.
Military historians would say the very demanding espionage course and physical training in Canungra prefigured the CIA and Green Berets training after the war.

Like many soldiers and especially one sent on a secret mission, Dad recounted little about the horror of his war experiences to his children. But on rare nights, after dinner, when it was storytelling time, he talked about his training. They were marched into a jungle with just a knife, a matchbox, and a compass. The challenge was to keep oneself alive. Tempers flared between the Filipinos and the American soldiers and racial slurs erupted. Being called monkeys made Dad furious. In our living room, he’d relive that moment in the jungle, and crouching, assumed a boxing stance. His eyes flared and his mouth tightened as his fists pounded the air knocking down a phantom twice his size. He’d always laugh loud in the end, with his arms akimbo and his chest pushed forward. He’d recall his bloodied face and those of his fellow Filipinos but the moral to his story was never accept prejudice from anyone, intoning this over and over again.

Dad never let on to us children that there was more to the jungle training in Australia. Given the secrecy of their assignment, Filipino privates could not leave camp. As an officer though, Dad was allowed weekend furloughs and, with other officers, made their way to downtown Brisbane. It was in a Chinese restaurant that Lt. Tony Silva first met Private Priscilla Conanan of the Australian Women’s Auxiliary Service (A.W.A.S.) and fell in love. From photos of that period, Priscilla was a very beautiful Filipino-Australian.

It was a surprise enough to know we had additional kin, but even more remarkable that they would be Filipino-Australian. How and when did the Conanans get to Australia? How did they wind up in Brisbane? That’s another remarkable story.

Native men of the Spanish Philippine colony were recruited as deck hands as early as the 16th century for the Spanish fleet that made incursions throughout Asia and for the galleons that plied the profitable trade between Manila, Acapulco, and on to the rest of the Americas and Spain. Small Filipino communities were recorded in the ports of Barcelona and Louisiana by the mid-19th century. By the late 19th century, revolts and uprisings occurred in the colony and, if they were not executed, many Filipino revolutionaries were exiled or fled to Guam, the Marianas, Hongkong and Singapore. There were also Filipinos, given the economic hardships in the colony, who decided to leave and settle in places where their skills could be of use.

The Queensland Australian Filipino Chamber of Commerce cites the first Filipino settlers arriving in the Torres Strait, in Northern Australia in 1880. They bore surnames like Cruz, Cunanan. Caballo, Escobar, Pere, Alfonso, Segovia, Belfonte, Cesar and Tolentino all residing on Thursday Island.

Around 1880, Tolentino Conanan, a pearl diver, settled on Thursday Island around the time pearl, trochus and beche-de-mer industries were being developed in northern Australia. Conanan may have been successful in his occupation for he sailed to Hongkong in 1890 and married a Portuguese woman named Emelia Constantina Da Souza, bringing her back to Thursday Island to raise five children, two girls and three boys. After the required ten years of residence, Conanan was naturalized a British subject in 1892. By 1902 the family had moved to Darwin and one of the boys, Elias, married Lorenza Ceasar whose Filipino father also settled in the Northern territories the same time as Conanan.

Elias and Lorenza had ten children, one of them Priscilla, Isabel’s mother. When Darwin was bombed in 1942 by Japanese fighter planes, a brother of Elias died in the bombing and the family evacuated to Brisbane. A year later, in a Chinese restaurant in Brisbane, the fateful meeting between Priscilla and Tony occurred.

Several people were unhappy about their love affair. Priscilla recounted that both her parents were opposed to Lt. Silva because they had such a brief courtship and he was fifteen years older than her. Priscilla’s friends were not pleased with her choice because of a rule banning Australian privates fraternizing with American officers. And even Supreme Pacific Commander Gen. Douglas MacArthur disapproved of the liaison and engagement. After all, Lt. Silva was on temporary training in Australia and being readied for a dangerous assignment in the Philippines.

Nothing stopped the couple and with a marriage request order approved by the camp’s commander while MacArthur was away, Priscilla and Tony were married on January 8th, 1944 at Canungara Base Camp with reluctant family members and soldier friends in camp. A camp newsletter described the bride dressed in white organdie, looking “gorgeous and lovely.” The camp commander gave the bride away since the disapproving parents threatened not to appear but relented and showed up late.

The marriage was brief. Three days into their honeymoon, Lt. Silva was called and ordered to proceed with his mission. With four other Filipino soldiers under him, they boarded the submarine Narwhal on February 14, 1944, at Port Darwin with 70 tons of supplies, ammunitions and guns, for the underwater journey through the Celebes Sea, skirting Borneo and eluding Japanese ships, crossing the Sulu Sea to reach the shores of Mindanao. Their order stated “an indefinite return date” and their secret assignment “…will not be attached to any recognized military unit while in station.” The Allied Intelligence Bureau would disavow their connection to them if they were caught. He left Priscilla in Australia pregnant with Isabel. She didn’t know where he was going and would not hear from him until three years later.

Tony sent three letters to Priscilla from the Philippines but came to her after the war was over. Army censors delayed or confiscated letters and were much more severe with secret missions. The absence of letters, a mission with no guarantee of survival, and the lengthy days took its toll on their tenuous marriage. Less than a year after arriving in Mindanao, Tony met a young nurse named Ester Peralta. They fell in love, had their union blessed by a guerrilla priest, and lived together.

From all accounts, Lt. Silva distinguished himself in the fifteen months of spying, radio reporting and as an infantry advisor, training a local guerrilla force in Davao. He became a hero in a May 1945 major encounter called the Battle of Ising, named after a river in Davao where Silva led the 130th Infantry Regiment, a combined army of civilians and guerrillas stopping retreating Japanese forces from entering Davao’s northern unoccupied territories. He was wounded in the leg during this battle and swiftly brought to an army hospital and flown back to the United States for extensive surgery.

He left a pregnant Ester who later gave birth to a son named Saturnino Silva Jr.

By 1947, Tony had been in and out of various hospitals and while recovering called Priscilla. It was the first time they would talk since he left Australia three years ago. He told her to come to the United States with baby Isabel. But traveling in a military transport in those days were tedious and Baby Isabel’s frail health wouldn’t allow it. Besides, Australian wives of U.S. servicemen had to draw lots in order to travel and the wait was interminable.

Tony demanded unreasonably that Priscilla and Baby Isabel travel to his bedside in three months. The distance, the inadequacies in phone calls in ascertaining feelings and commitment worked against them. In the interim Dad had a family in Davao that needed to be resolved. In the interim too, Priscilla had lived and taken care of Baby Isabel by herself for three years, not knowing if Tony was alive or dead or even be same man she married if they ever met again.

Tony filed for a divorce that same year. By that time, he had met Elena Ledesma who had recently arrived in the United States from the Philippines to go to college. Dad and Mom were married within a year in a civil ceremony in Arizona.

Dad never revealed his past lives to us four children. But one day, my oldest sister Marie, then ten years old, was snooping in Dad’s briefcase and found a letter with a reference to a girl named Isabel Conanan in Australia. Later, Marie as a teenager would stumble onto a picture of a young boy in Dad’s drawer with the name Saturnino Jr. Fifty years later, we reunited with our half-brother Saturnino Jr., living in Davao and have since visited his family many times.

But Isabel was more daunting to track down. In 1990, while traveling in Australia, Marie pored over telephone books and called every Cunanan listed. She was not successful because Isabel’s family spelled their surname with an “o” (Conanan) rather than the prevalent Filipino spelling of Cunanan.

In October 2006, Marie, living in Manila, and being computer savvy, decided to track Isabel in cyberspace. In the past 15 years, she tried this route many times and had no luck after hundreds of hours of searching. But in the past few years, there have been a host of genealogy websites on the internet. It was in Ancestry.com, searching for Saturnino Ramos Silva, she learned she was the second person to inquire about that name. Several more clicks and Marie found the name Isabel Castner who posted a search for that name. Marie was worried though, for the posting was five years old. More clicks and Marie found the name Angie Castner, Isabel’s daughter with a more recent posting of Saturnino’s name. Marie quickly contacted Angie who gave Isabel’s e-mail. At around two in the morning, when Marie e-mailed Isabel telling her that she might be a sister and Isabel replying yes, she was, Marie let out a shout waking her husband to proclaim “ I Found Her!”

Six months later, there we were at a hotel entrance in Manila tearfully embracing each other, noting the undeniable proof that we all looked so alike. Our rounded dark eyes, the skin tone, the prominent front teeth and that smile were all Dad’s. The resemblances were not faint and as we hugged each other in disbelief Isabel looked at us intently and declaimed softy, “Now I have a sister and a brother!”

For a week Marie and I showed Isabel, Angie and Jacqui the city sites, the best dining and shopping. They were touristy activities but were preludes to a belated bonding that couldn’t be rushed. The getting to know one another, the filling in of unknown years had to be drawn gradually from each other, in between selecting a souvenir, savoring a local dish, or gazing at a painting. As Priscilla’s and Tony’s lives together and apart became clearer, our kinship strengthened. Isabel told us that for many years, two colored photo portraits hung side by side in their dining room. Priscilla in her AWAS uniform. Tony in his US Army uniform. It was love in a time of war and the portraits were Priscilla’s proof while she waited.

A highlight of their Philippine trip was an afternoon visit to the American Military cemetery in the suburbs of Manila where 17,000 American and Filipino soldiers who fought and died in World War II are buried. Huge rectangular slabs of granite etched with the names of the war dead jut outward and form a circle. Beyond the circle, on gentle slopes are the crosses and markers in neat exact rows. There are galleries in the memorial with large mosaic murals showing the Pacific War operations with arrows representing the Allied forces, traversing through the Solomon Islands, New Guinea, heading north for the Philippines and onwards to Japan.

One particular gallery contained a mural devoted to submarine operations. My sister and I had seen this mural many times before but in the company of our newly found sister and her daughters, it had deeper significance. With pointed markers representing submarines, we followed one, the USS Narwhal’s route, leaving Port Darwin, bearing our father and other Filipino soldiers, headed for Mindanao.

We are having a reunion in a restaurant. Seated across me is my half-brother Tony who flew in from Davao. Beside him is Isabel, holding his hand and whispering how wonderful to have yet another brother. Isabel’s daughters are talking to Tony’s daughters, their new found cousins. Marie and I are surveying the scene.

As I look at Isabel and Tony, who never saw our Dad, Marie and I have taken on Dad’s guilt for abandoning them. In the first few weeks of having found Isabel, there were e-mails between Australia and the Philippines. One I sent with a picture was Dad holding me less than a year old. I am fond of this picture because despite the stern military man that he was which pervaded family life, there were many moments of tenderness he gave to us children.

Isabel e-mailed back to share her reaction.

“I loved the photos you sent, John. I rather think that my early baby photos look more like you than Marie. My mother thinks so too.

While I was looking at your photos (I received them at work), a feeling, oh so fleetingly, rippled over my consciousness but then I was back again caught up with the tasks of my ever present work day at the office.

But then this morning sitting patiently on the bus on the way to work, it was back, suddenly flooding me with many, many memories. Memories that evoked that same feeling that I had hidden away deep inside me: looking at other children getting hugs from their Dads; other children being swung up on their Dad's shoulders; being helped with their homework; other girls being eagerly photographed by their Dad's at play, at special times; other girl's having secrets with their Dads, getting special treats from them, dancing with them, having their hands squeezed with pride at graduation, being walked down the aisle, holding their first child... And I realized that as time went on I had steeled myself from this longing, this envy, behind a façade of spirited independence or the old Aussie saying, "I'm alright, Jack!".

But one little photo of our Dad holding you shattered that façade leaving the poor people in the bus wondering why the little brown lady in the seat behind the driver has tears streaming down her face.”


Dad, who passed away in 1987 without telling us his long-held secret, has now given Marie, myself, and our two other sisters the task of sharing his life with Isabel, Tony Jr., their children and grandchildren. If and when they want to. There’s much sensitivity to be employed here presenting a man who was father to some and not to others. Sharing a Dad’s life can satisfy a long-held curiosity or exacerbate a hurt.

Uncovering Dad’s life opened perhaps some childhood pain for Isabel and Tony. But in our week together and now middle-aged, we were able to cast kinder glances on Dad’s relationships with Priscilla, Ester, Elena (my mother) and Letty, the last woman he married after my parents divorced. As for these women’s own lives and feelings towards Dad, that should be their story. Priscilla still lives in Brisbane and Letty lives in Fresno, California.

I’ve rationalized this tangled saga with a war that altered my father’s career, brought him to Australia, later to the Philippines and, injured, back to the United States. Each part of the trip didn’t lend well to love and obligations. It’s hard to think of Dad as totally heartless but then I write this privileged with having known him. Our family pictures, him doting on us, partially vindicates him.

I visited Dad regularly at his Fresno fruit farm in the last ten yeas of his retired life. There were many late afternoons seated on his veranda looking at his pear trees and recalling the good times we had. I was never stingy telling him how he had molded us children to be upright, fair, and hate prejudice. Looking back now, my tributes may have only deterred him from ever telling us his past. He lived in a society where male privilege was unquestioned and hearts broken in the course of bravery and courage were intertwined.

When I was young and war stories abounded there was an oft repeated phrase “Hanggang pier lamang” (Until the pier) describing numerous Filipinas weeping at pier side as their American soldier lovers board their ships homeward bound. The women were always portrayed as loose, as naive if not stupid for falling in love. But were they? What about those who did love and promises by soldiers were made?

Important events in World War II are often centered on the day of the battle, the victorious Allied forces appearing from out of the blue and just at the nick of time. The long awaited date of the American liberation of the Philippines often overshadows the years of preparation leading up to it. In Australia, there were thousands of Australian military and civilians working in the A.I.B. headquarters deciphering enemy codes, thwarting planned attacks and helping the Allied Forces mount counter-offensives. There were bands of radio operators operating mostly in Mindanao sending troop movement reports to Brisbane and tens of thousands of Filipino guerrillas operating around the Philippines sabotaging enemy operations. The combined ground work efforts of countless people, many laying their lives, directed Gen. MacArthur to decide a major naval battle and landing in Leyte Province, instead of Mindanao as originally intended. This was to be a wise decision in the retaking of the Philippines.

On October 24, 1944 a combined Australian and United States force composed of over 200,000 men and women, 200 battleships, aircraft carriers, cruisers and destroyers along with 1,500 planes waged the largest and most decisive Allied offensive of World War II. In three days of relentless sea battles off Leyte the Japanese forces were defeated and their oil supply lifeline cut off from Southeast Asia. Japan’s defeat was imminent. Dad’s own efforts to this victory earned him the Purple Heart received for injuries, the Bronze Medal for valor, and the Philippine Congressional Medal of Honor.

Dad retired with the rank of Lt. Colonel, got a job in the post office and we lived in San Francisco, California. Dad knew this city from way back in the thirties, where he and other farm workers spent their weeks wages in Chinatown, on pool halls and girls. Before college, he was one of over 120,000 single Filipinos who left the Philippines in the twenties to come to America and work the sugar fields in Hawaii, the canneries in Alaska and the fruit and vegetable farms in California.

Dad liked driving his green and white Dodge all over the city and on weekends drove to the fruit farms in Fresno to meet up with buddies that he roamed with years back. They were the unlucky ones who didn’t marry and continued to live in barracks with other Filipinos. His eyes lit up and he’d laugh with his friends remembering those times in Seattle when they’d run from the vigilantes out to kill them for dating white women. Or down in Los Angeles, after harvesting and having a great time with the Mexicanas. Filipino men developed a wandering spirit depending on the season and where the jobs would be. This might explain partially why Dad, like many of his compatriots, couldn’t and didn’t settle down.

When we’d drive home, he loved singing this American folk song. We sang it with him. For us children it was a cheery song. For Dad, it may have been his life story.

“Freight train, freight train
Going on so fast
Freight train, freight train
Going on so fast
I don’t care what train I’m on
As long as it keeps going on.”

Monday, April 21, 2008

PASSING ON THE LUCK. THE GRADUATION OF MY SCHOLAR


By John L. Silva

(Philippine Daily Inquirer, April 21, 2008)

Through the years, I’ve happily attended many of Far Eastern University’s lectures, openings, and performances.

The university’s 80th commencement exercise this April was by far, the most heartfelt of all the events. Our scholar, Ronnie Quiling, was graduating and my partner Jonathan Best and I were there as his adoptive parents.

There was onstage for several hours, a stream of tassels and gowns and the school color green but when Ronnie’s name was called and he strode the platform to receive his diploma, the moment went into slow motion. Like every parent in that huge auditorium, I felt that mixture of tears and happiness for our graduate.

I rewound the days stretching four years back when Ronnie was introduced into my household by Glenn. Glenn, my first scholar and graduate from Emilio Aguinaldo College, was responsible for finding another suitable candidate from his province Zamboanga who would work for us one year as a houseboy. If all went well and there was a desire for college, he would become the next scholar.

Ronnie graduated from a science high school so he came to our lives not with shy rural bearings, but more with a cautious, academic mien. He pondered the world while he washed the dishes or fixed the bed in the morning. He is also of the Iglesia Ni Christo faith, and they possess a discipline and an outlook to succeed, bereft of fatalism.

After a year’s service I told him to choose whatever university he wished. He chose FEU without any prodding. He had visited various schools but loved the serenity of the campus, the friendliness of the students and the competence of its faculty. When he echoed the same feelings I have had about the university these many years, I knew this ward was worth my investment and time.

He was my fourth college scholar and was lucky, for I had turned pragmatic and less demanding. My previous scholars got a direct threat: You get a scholarship only if you signed, in blood, never to leave for work abroad after graduation.

After a decade though of providing scholarships and realizing the snail’s pace by which the job market was expanding, I relented, and with Ronnie, told him his life’s destination was his own after graduation.

To our surprise, he decided to major in Psychology and not the alluring courses that would have been his ticket abroad. In fact, he has never indicated to us a desire to leave the country. I had become the cynic, while he, with FEU’s unremitting idealism, seem to have ingrained in him the possibility of creating a future here.

Since Jonathan and I espouse an American egalitarian philosophy in the midst of a stratified society, Ronnie and the rest of our house-help scholars experienced a dual relationship with us. They did everything demanded of house help but on many occasions, they sat at the dinner table with us, eating the best, learning manners, holding English conversations, and realizing their own worth and dignity. Ronnie reveled in the democracy of our home and I suspect that FEU had much to do with the self-confidence he brought to the table. He was his own strong willed person and his expressions of thanks, for the ballet tickets, the summer outings, the delightful dinners, were always simple but sincere. It was refreshing to take a young man under my wing without the cloying gratitude or feigned cheeriness that Utang Na Loob (debt of gratitude) exacts.

Ronnie mastered the university’s electronic library, and developed strong friendships acutely aware of the network advantages later on. In his senior year, I offered to help find on-the-job-trainings from friends who had companies but he demurred and got it himself. I sense he will need little or no help when he goes out there pounding the streets for his first job. FEU has given him that spunk. Ronnie, like many of the graduates cheerily clutching at their diplomas that day, seem ready to take a swipe at life and become the backbone of a good society we earnestly need. For Ronnie, the first in his family line to graduate from college, poverty is no longer his badge nor lot.

After his graduation, I went by myself to the American cemetery in Makati. My soldier/father is not buried there but I remember him vividly in that tranquil place. I thought about how he got his lucky break, in the thirties. Dad, having graduated from high school, left his poor Pangasinan town and boarded a ship bound for California. He worked the length of that state and, depending on the harvest, picked apples up north and vegetables down south. But he wanted so badly to go to college.

One day, while praying in church hoping to find some way to go to school, a priest named Father Anthony approached him, heard his need, and introduced him to a professor friend at San Francisco State College. The professor, who was disabled, agreed to help Dad through college in return for being his manservant. My dad’s life changed with that diploma. Forever grateful to the priest, Dad made my middle name “Anthony.” And while growing up, he never made me forget to pass on his “luck” to someone else.

Dad would have been proud to see his “luck” continue through Ronnie and even more so through FEU. Its founder Dr. Nicanor Reyes started the school as a night college to allow working people to study and obtain a diploma.

Ronnie’s career path and future is set. My father’s dictum to pass on his “luck” fulfilled. And with the venerable university’s 80th commencement, a founder’s vision endures.

(John is a trustee of Synergeia, an education reform organization which raises academic achievement levels in children through teacher training)

Thursday, November 22, 2007

WHAT IS THEIR PROBLEM? The Piolo and Sam Libel Case


American matinee idol Tab Hunter comes to mind while reading the multimillion peso libel suit filed by actors Piolo Pascual and Sam Milby against gossip columnist Lolit Solis for insinuating that they’re gay. In 1956, Tab was at the peak of his career. The handsome “boy-next-door” was the leading man in movies with co-stars like Lana Turner, Natalie Wood and Sophia Loren. His stature rivaled James Dean and Marlon Brando and his studio, Warner Brothers, made a lot of money on him. He went into singing and released his first major nationwide hit “Young Love.” Everyone had a crush on Tab that one Valentine’s Day, he received over 60,000 Valentine telegrams. Everything was on the up for the young star despite the fact he was gay.

Tab wasn’t out then but in his tell-all autobiography released in 2005, (Tab Hunter, Confidential) he talked about a Hollywood peopled with gay producers, directors, writers, and actors. So, there was an unwritten agreement in Tinseltown: If you had a same sex love affair, do it discreetly.

At the height of his career, Confidential, a tabloid magazine ran a story about Tab caught by the police after raiding a private gay party. Tab was worried but his producer, the movie mogul Jack Warner didn’t pay the controversy any mind nor issue retractions nor demand that Tab go on “arranged” dates. He simply told Tab “Remember this. Today’s headlines-tomorrow’s toilet paper.”

Other gay baiting items about him appeared from time to time in the tabloids but Tab continued making more movies and more money while having a discreet two year romantic fling with actor Tony Perkins. There were several more lovers after that and eventually Tab settled down with his current long time partner Allan Glaser. The eventual decline in Tab’s popularity had nothing do with his sexual orientation. It was simply age; In Tinseltown, the search for young fresh faces was a constant. Tab, by then a veteran actor, was able to move into television and later perform in dinner-theaters throughout the country.

Lolit Solis was suppose to have seen, with her own two eyes, Piolo and Sam in an amorous situation at a hotel poolside. The actors’ lawyer, Joji Alonso denied that her clients were there that day. Attorney Alonso contends that such accusations destroys the “bankability” of her clients and fans would no longer watch their movies or attend their concerts if they found out they were gay. The whopping 12 million pesos in moral damages being demanded in the libel suit was to make up for the “mental anguish, besmirched reputation and social humiliation” the actors are now undergoing for being branded gay.

Aside from the movies and the concerts, the two actors, using their grins and bods, have peddled on billboards practically every product known to mankind. If Attorney Alonso now categorically states that her clients can’t sell a can of tuna, and their movies will be boycotted, and they are now mentally distraught because they’ve been called gay, what do you think we gays feel? Suicidal?

Even before Solis and other gossip columnists took aim on the Piolo/Sam affair, there had been for years the constant talk in many circles that Piolo is gay. It may have raised a few eyebrows but no sensible person (except for gossip columnists) was going to raise havoc with an earnest young man making a go of his career. Like actor and gay supporter Paul Newman would say “There are so many qualities that make up a human being…by the time I get through with all the things that I really admire about people, what they do with their private parts is probably so low on the list that it is irrelevant.”

Failed marriages, sex, and checking who’s gay is the redundant theme in show biz gossip. If you’re young and handsome and trying to make it in show biz, you’re automatically grist for the rumor mill. A 12 million peso lawsuit on a hapless columnist with a checkered background and whose writing isn’t worth getting one’s panties in a twist, seems like overkill. It actually raises unduly more eyebrows and even more fevered speculation.

Lawyer Alonso gets the prize though for her reasons on pressing the libel suit. She says the gossip item is a crime against her client’s honor, their purity and dignity now destroyed. “Because up to this day,” she adds “we all know for a fact that again, with all due courtesy to the members of the third sex, it is not still an accepted thing in this country.”

Stating that one’s purity and dignity is ruined for being called gay offends and insults gays. Calling us in the politically incorrect term as a “Third Sex” (does that mean we sport both a vagina and a penis?) and saying our behavior is not an accepted “thing” in this country makes one wonder what country and century she inhabits. Alonso seems to be oblivious to the fact that, barring a few morality crusaders, Filipino gays, lesbians, bisexuals and transsexuals live and work in one of the more tolerant and accepting societies in Asia. Caught having same sex in India? Ten years imprisonment. Making your partner orally happy in Singapore can lead to a jail term. In Muslim Malaysia and Indonesia, you’ve virtually no rights being gay. And until recently in Hong Kong, if you happen to love another man, it was life imprisonment. If Attorney Alonso believes that we gays are not an “accepted thing” in this country, I shall tell all my gay friends and supporters to boycott her client’s movies, concerts, and products. Why spare our hard earned gay pesos to people who don’t accept us? I shall also tell all my gay Fil-Am friends the next time Piolo and Sam wants to crash the Fil-Am market. Gay power and gay dollars will teach Attorney Alonso the meaning of acceptance.

The network studio ABS-CBN, should have repeated Warner Brother’s class act manner and counseled their twink stars to weather the gossip. After all, the studio has made so much money from their gay talents, gay writers, gay producers, gay executives and gay make-up artists, you’d expect a little more gratitude. Why, if the studio was swallowed up by an earthquake tomorrow, there goes half the gay population!

And where are the ad agencies and the companies who’ve overused these two stars to hawk their products? Doesn’t anyone of them have the gay balls to tell Attorney Alonso that it is BECAUSE of their sweet-handsome-probably-gay looks that sells and sells big? Remember that billboard with Piolo baring his gorgeous sexy abs while promoting a coffee brand? Today, so many gays will drink nothing else but that!

Piolo and Sam seem to be cashing in as singers given their concerts. There’s been some incredible singers. From Johnny Mathis to Boy George to Elton John to George Michael. The latter alone sold sixty seven million albums. None of these singers lost their fans or popularity when they lived open lives or came out. As George Michael would say, “I’ve wondered what my sexuality might be, but I’ve never wondered whether it was acceptable or not. Anyway, who really cares whether I’m gay or straight?”

Like Tab Hunter who came before all of them and crooning his hit song inspite all the gossip, it will be the singing (like the song) and not the “singing” (like slang for fellatio) that will ultimately prevail in the marketplace.

Thursday, November 08, 2007

THE NATIONAL PRESS CLUB'S CLUBBING OF FREEDOM OF EXPRESSION

By John L. Silva


The National Press Club’s defacement and censorship of a commissioned mural in their club restaurant recalls to mind a celebrated incident involving the Mexican artist Diego Rivera and the Rockefeller Center.

In 1933, Rivera was commissioned by Nelson Rockefeller to do a mural for the lobby of the RCA Building at New York’s Rockefeller Center. Rivera, a leftist, was well known for his grand murals replete with sinewy laborers in all forms of working poses. He had just finished a large scale mural with a similar theme for the Detroit Museum of Art sponsored by the Ford Motor Company, and despite the bias for proletarian vistas, the liberal, art loving Rockefellers decided their center should have a Rivera mural too.





Rivera though added a portrait of Lenin in the mural and this was over the top for Nelson Rockefeller. Despite his wife Abby’s lament, who collected Riveras, Rockefeller confronted the artist demanding he remove the offending Lenin. Rivera, already paid for the mural, refused, was summarily fired, and the mural destroyed. Rivera would have his revenge by recreating the same mural back in Mexico with Lenin in his glory and the patriarch John D. Rockefeller inserted elsewhere drinking martini at the expense of the toiling masses.





The National Press Club is in a similar imbroglio, having commissioned the Neo-Angono artist collective to do a mural with a press freedom theme. But the tack the Club undertook was downright abhorrent. They decided the mural was “leftist” and proceeded to have it altered without artists’ permission. They altered the mural to censor texts which included the current plight of a mother seeking an abducted son, defacing well-respected journalists, and painting over sections deemed offensive to the current Philippine president.




Paintings, particularly murals, if well done, have changed people, norms, and societies. We only need to recall Juan Luna’s Spoliarium which would influence a medical student named Jose Rizal to alter his career and write his devastating anti-colonial novels and become our national hero.

Paintings often reflect the times and if the Neo-Angono mural reflects the current state of Philippine affairs and the unpopularity of the current President, so be it. One would shudder to think if the National Press Club lived in the 19th century and found the Spoliarium to be offensive to the Spanish monarchy.

The cavalier and contemptible manner by which the National Press Club blithely desecrated a work of art is evidence enough that these so-called journalists haven’t a clue about freedom of expression. In a free society, contending thoughts, contending works of art are allowed and respected despite its inherent inclinations and viewpoints. The National Press Club’s actions has just put their profession to ridicule, painted themselves as cowards, and now insinuates itself as being in-the-pay of the powerful. Fellow journalists who abide in the freedom of expression should call for the immediate dismissal of the club officers.




Despite the destruction of his mural, Diego Rivera secured even more artistic commissions, gained world fame and lived financially comfortable to a ripe old age. Abby Rockefeller continued collecting Riveras, later donating them to the Rockefeller funded Museum of Modern Art for the public to see and appreciate. Rivera’s works are now revered and have a universal appeal transcending its leftist themes.

The Neo-Angono artists collective have the last laugh. In the current booming Southeast Asian art market, the moronic act by the National Press Club has just increased the appeal and selling cachet of current and future works of the Neo-Angono collective by ten fold. And, if it has universal appeal, a work of theirs could probably hang proudly in the National Museum, along with the Spoliarium.

John L. Silva is senior consultant to the National Museum of the Philippines

Monday, October 01, 2007

HEALED A SECOND TIME

Hope For Education in Sagada

(published in Philippine Inquirer, Sunday Sept. 30, 2007

By John L. Silva

You have to psych yourself for the six-hour bus ride from Baguio to the northern mountain top town of Sagada. But, on the road, you don’t figure the added time for the stalled jeep ahead laden with vegetables blocking the road. Or my bus having a flat tire. Or that it wouldn’t start after a pit stop. Or the bus screeching to a halt with a fresh landslide in front of it.

We got off the bus and in freezing pouring rain climbed the huge muddy mound about two stories high, to slip and slide down the other side to wait for another bus.

After awhile, the rain stopped, the mist cleared and I looked up to the night sky and saw tens of thousands of stars twinkling. You don’t see this spectacle in the city. Cold, wet, and muddied, I smiled and the trip’s misery was forgotten. Nature has a way of doing that.

I first visited Sagada as a young troubled man. A love affair ended painfully and I was in despair. A friend suggested Sagada. There was an orphanage there and needed help. Go, she said, make yourself useful to the kids and stop the self pity. Heal in Sagada.

Thirty six years later, I was back to teach public school teachers the elements of aesthetics. Six hours became almost nine hours of travel and the last third of the way in pitch darkness, swaying headlights and bumpy roads. The night stars were my only solace.

I was welcomed in Sagada by Dennis Faustino, the principal of St. Mary’s High School who lives in a charming wooden house built in 1924. A jovial man with a continuous smile, he had some of his students watching a movie in the living room. When we sat down to eat, the students were also invited and I found them to be curious of my work, polite, and eager to listen to my conversation with Dennis.

Early the next day, I was at St. Mary’s, a well-kept two-storey building, donated by fellow La Salle Green Hills classmate Boy Yuchengco, and nestled in pine trees seeing groups of teachers signing up in the auditorium where I was to lecture. There were many young teachers astonished when I told them I was in Sagada when their parents were still in high school. Uttering it astonished me too!

None of the teachers ever had an arts education workshop let alone any continuing education courses for their professional development. Much as I thanked them profusely for coming on a Saturday, their personal day, and spending jeep and bus fares to get to the workshop, the teachers told me they came because they wanted to learn and know what the arts is all about.

In Mindanao, the teachers cluck when they are entranced by a painting they see from my powerpoint. Here in the Cordilleras, they swoon with long deep oooh’s. They take notes about how arts education can lessen absenteeism and be antidotes to drug addiction. Their faces glow as they become enlightened by what constitutes a beautiful picture. They start to connect aesthetics with being a citizen, learning that visual pollution – billboards, advertising banners, garbage thrown indiscriminately – affect the pristine sights of their community. Sagada has been touted as a mountain top Shangri-La visited by local and foreign tourists. Given its distance from “civilization” Sagada has little to worry for now. The view outside the school auditorium has a sweeping scene of mountains and rice terraces spotted with houses. Greenery and their unique stone terraces still overwhelm and captivate. This workshop with emphasis on appreciating nature as art has a very practical economic value to Sagada.

My lesson plan on photography as a fine art and weaving Philippine history into it using old photographs excites the teachers. I incorporated old photographs of the Cordilleras taken at the turn of the century. The teachers are wide eyed seeing their ancestors in native garb, the thatched huts their grandparents lived in, the majesty of their stone terraces and the dances. In the Cordilleras, people danced on so many occasions and scrupulously documented on film by anthropologists and missionaries. The women were oftentimes bare-breasted and the men wore loincloths. The early missionaries imposed modest dressing in these parts and these pictures of their half naked past are unnerving for the older teachers. The younger teachers though are more astute having been raised to take pride in local customs and missionary influence long receded.

Sagada, like many rural areas have no museums so I teach a module on setting up a simple school museum. Developing an exhibition theme, writing captions and wall text, and producing an exhibit for very little money demystifies curator-ship and the teachers are introduced to yet another pedagogical method.

We end the workshop by 3:00 pm to allow the teachers to get home early. Buses and jeeps plying the route are scarce and unscheduled so the long wait adds to the travel time. Some of the teachers from the rural villages have not been to “big town” Sagada in a while and this was a time to shop or go to the hospital and get checked up.

I get the chance to walk the town again and see what changes have occurred. My first stop was the orphanage on the hilltop. I see the playground fronting the orphanage and remember the many games I played with the children there. The orphanage had a large number of twins in my days. Twins born were bad luck. One of them was thought to have the mother’s spirit so they were buried alive, abandoned or wound up in the orphanage.

The spartan dormitory I stayed in for the three months I was there was being remodeled into a tourist inn. The one street in the center of the town had several new restaurants but gone were the little stores I remembered that sold tribal artifacts. I walked to the town’s entrance and lamented the destruction of the limestone cliffs by local developers. The large cluster of thatched huts were no longer in sight. These huts which often caught fire have been replaced by galvanized sheets and concrete blocks.

As I walked to my guest house, several of the teachers who attended greeted me on the road effusive about the workshop. They were still waiting for a jeep to take them home.

The next morning, I took the first early bus back to Baguio.

It was sunny throughout the whole trip and memories returned. I took this same Jalsema Highway years ago on a similar sunny day. The same exhilaration came over me as the bus gingerly weaved down the mountain. The same scent of flowers and the same bracing morning air. Flashbacks of tearful twins singing to me as a boarded the bus. They must be now in their forties I thought.

First there were glimpses of a terrace; then halfway down, the mountains unfolded revealing full vistas of terraces, their lines rounding every contour of every mountain in sight. A swath of clouds rested on the mountain tops and way below, a river snaked at the base. The travel brochures always called it an engineering marvel. I just found it breathtaking. I could hear the teachers voices in unison having learned the elements of aesthetics. COLOR! SHAPES! TEXTURE! LINES! they exclaimed as proof.

Despite a swaying bus, I marveled at the profusion of parallel lines incising green mountains and watered terraces below me glistening in the morning sun. As we rounded a mountain, the panorama continued as another set of perfectly chiseled mountains came to view. This panoply went unabated for almost the whole of the bus ride. I laughed out loud, realizing the Sagada teachers were being polite with Mr.-Know-It-All from Manila. Teach them aesthetics? LINES? Hah! Their ancestors were aesthetes for thousands of years.

There are threats to the beauty of the place. Signs at interval on the Jalsema Highway warn and forbid the dumping of garbage over the roadside. The signs are not working because the dumping continues. Rice terraces and vegetable plots post signs of fertilizers and chemicals used. In a increasingly organic oriented world, the signs are anachronistic, threatening their produce and their own health.

It is the education of the Cordilleras students that will decide the fate of this region. Illiteracy and drop-outs rates are twice higher in the non-Christian and tribal communities than the national average. The catching up, the learning curve, the ratcheting up of student academic achievements in these parts are an imperative.

It boils down to good teachers. At St. Mary’s, Dennis Faustino, former teacher now principal is turning a once ailing school around. In just three years, academic achievement reached higher levels in his school with a new core of dedicated teachers well trained, well paid, teaching in spanking classrooms and labs brimming with all the equipment necessary. An alumni network and a working board allows Dennis to do his job. Bottom line results? All graduating high school students have passed the exams and will enter colleges and universities this year. Where only two out of every 100 fourth year high school students in the country are equipped for college and almost all with failing achievement scores, the St. Mary’s graduating class, in toto, have just beaten insurmountable odds.

I’ve traveled the breadth and length of this country teaching teachers who make do with so little, teaching in classrooms so pitiful and inadequate, seeing students seemingly vacuous but actually just deprived of books to read. One can give up at times with the rapacity and neglect that the government affords on education. It just breaks your heart.

And then you get to Sagada, and you see a school like St. Mary’s. Teachers determined, students enthused. Shangri-La still existing.

I am healed a second time.

John L. Silva is the Senior Consultant for the National Museum.

Saturday, September 22, 2007

DEFYING A CONFLICT TO TEACH AESTHETICS

(Bringing Arts Education to Tawi-Tawi Teachers)
by John L. Silva

It seemed foolhardy to go to Tawi-Tawi. There was all-out war raging in the neighboring islands of Basilan and Jolo. The fighting was fierce and ten marines in one encounter were decapitated by Muslim rebels. Retribution was in the offing.

The request though from Synergeia was urgent. If I-LOVE-MUSEUM, our training program for public school teachers did not travel within the week, the window of opportunity to teach there would be lost. Synergeia’s teaching program in Tawi-Tawi was to end in a month and the holy fasting month Ramadan was coming up prohibiting these activities. We had to go now or not at all.

Synergeia has been training public school teachers for several years in the Sulu Archipelago where Tawi-Tawi and Jolo are located. They were yielding results; children’s reading scores had increased by over 10%. Now, Synergeia would add arts education, convinced that children learning aesthetics and loving their local arts and culture would also help their overall achievement scores.

There was never any good time to go to Sulu with some conflict or another arising. But recent events were nerve wracking. This war was serious.

I dug deep into the recesses of my devil-may-care past when life was intensely and precariously lived. Why should I, in mid-life become so safe and boring? To hell with the war. I’m teaching aesthetics!

So I hopped on an early morning flight to Zamboanga, transferred to a small plane for a bumpy two hour ride, through a scary monsoon rain and zero visibility to reach Bongao, the capital of Tawi-Tawi.

A book I read years back called Song of Salanda by H. Arlo Nimmo drew me to Tawi-Tawi. Nimmo, an anthropologist, studied the people of Sulu in the sixties and wrote his encounters with them. They were memorable subjects: a Badjau woman known for her singing but unhappy with her marriage, a nun schooled abroad but returned to work as a doctor, a smuggler/pirate loved by his village, these were just some of them, living in exotic sounding islands like Siasi, Sitangkai, Simunul. I never forgot them and vowed one day to visit.

All anxiety faded as the plane touched the grassy airfield, the sun broke out from the clouds and a group of happy teachers awaited me with welcome banners. In less than an hour I was in a makeshift audio visual room with over 70 veiled teachers curious of my mission.

The teachers had an air of subtle indifference to me in the beginning. Here was a person from Catholic Manila, carrying National Museum credentials making me part of a government that has not cared for them. It’s a matter of course that public school teachers there get their salaries late, sometimes 4 – 6 months late. The part time and probationary teachers aren’t paid for up to two years. Compound this affront with a three-decade civil war, their villages destroyed, a stagnating economy, no local taxes earmarked for education, no school textbooks distributed in years, and rotting schools and you’d expect a demoralized bunch of teachers. Yet, here they are in front of me, having paid their own way to travel hours to learn about art. They are teachers first and foremost. You see it in their smiles and feel it in the soft handshakes ending with a tap to the breast. They never forgot nor forsaken their childhood ambition to be teachers.

It usually starts with a joke, an irreverent quip. If they laughed, I was in their confidence as a fellow teacher rather than some boring bureaucrat on a talking junket. Beside, I was part of Synergeia, and they’d seen the success in their students reading levels. Surely, an art program could only help their students as well.

Of all the ethnic groups in the country, Filipino Muslims were never totally subjugated by the Spanish and the Americans. Their culture, melded with Islam, remained intact while the rest of the country assimilated into colonial culture. The teachers may have warmed to my program but they let it be known they had enough mat weaving, kris making, brass ware, jewelry crafts, epics, songs and dances to rival whatever art forms I was showing. And they were right.

In my powerpoint, there were more than enough of the finest Muslim artwork and artifacts throughout the Islamic world for them to take pride in. One of my teaching modules, about the Elements of Aesthetics - Color, Line, Shapes and Texture - appealed to them since Islamic art is devoid of figurative works. The intricacy of calligraphy, the geometric patterns in their walls and carvings, and the brilliant colors and designs in their fabrics became more pronounced and esteemed. Aesthetics transcended the cultural distinctions of Muslim and western civilizations. By the end of the day, the teachers were enthralled and convinced about arts education.

Much as they had significant culture to bare, the teachers knew it was endangered. There is cable television and video games in far flung Tawi-Tawi with children spending an inordinate amount on them. The elders, fast disappearing, are the only ones weaving, carving, pounding brass, and melting gold. The teachers themselves no longer know these processes. In their survey forms, they realized arts education would be the hedge to the possible decimation of all their indigenous art forms.

At the end of the long day workshop, a space was cleared in the auditorium and a dance troupe replete in traditional clothing appeared. They performed ancient ceremonial dances about courtship, combat, and sea myths, evoking the motions of seagulls and the waves of the sea. Hands, arms, shoulders, torsos and legs possessing fluidity and grace writhed in sensual motion with the hands ending in an upward curl. It reminded one of the curled Okir design so prominent in their artistic environment. The dances’ indigenous purity recalled similar dance forms in neighboring Borneo and Indonesia, evidence of the artificial divide colonial powers imposed in these parts. One teacher confessed that she had seen these dances often, but, after Art Connection, saw deeper implications. For her, these dances were reminders of a regal past.

To maximize our trip, we obliged our hosts to do I-LOVE-MUSEUMS the following day in an outlying island, forty-five minutes away. At the crack of dawn we were on the fastest speedboat I had ever ridden (to elude pirate speedboats still plying the waters) headed for Panglima Sugala. With Malaysia just fifty miles away, one could see the phantom peaks of the mountains of Borneo.

At the pier, we were greeted by high school students performing more native dances, another subtle reminder that they manage, despite the odds, to keep their culture alive. The towns people including Mayor and Mrs. Nurbert Shahali welcomed us and encouraged the attending teachers to learn from the workshop.

Like in Bongao, the hall where I taught were makeshift rooms that had large windows covered in black cloth for my LCD presentation. However, there was no airconditioning and the room turned quickly into an oven with over 60 teachers in attendance. But it didn’t faze the teachers one bit as they gave me their full attention and took copious notes.

Panglima Sugala,with its sluggish swaying trees, is quite rural; the slow village tempo as the teachers trickled in from early afternoon prayers and their long expressive smiles created an intimacy among us not found in an urban setting. The humor I injected to ward sleepiness in an airless humid room was received with long-drawn-out laughter. And to my surprise, in this bucolic village where neither orthodox Islam or Christianity had much sway, I found the teachers less reserved, more forthcoming, analytical and open to new ideas. Pictures with nudity elicited quite earthy remarks and raucous laughter. Panglima Sugala prides itself as one of the rare communities where Christians and Muslims live and work peacefully with one another.

The teachers were divided into three groups at the end of the workshop and asked what they had learned and their plans from thereon. On large rolls of brown paper taped to walls they wrote how they learned to develop creativity in children and to appreciate the art works of their ancestors. Almost all of them wanted to bring their students to a museum and build their own school museum. As they excitedly promised to introduce arts to their students, outside, since we started that morning, were six heavily armed soldiers stationed for our protection. I wasn’t worried about my safety but this was Sulu; soldiers and guns were regular fixtures whenever visitors came to town.

The sun was setting and we had to be back in Bongao for the evening. There was one more dance performance by the students and we did not hesitate being treated to another rendition of delicate sinuous movements accompanied by hypnotic gongs and the gamelan.

A profundity came over me, watching a brilliant sunset, windswept on a speedboat skimming the Sulu Sea returning to Bongao. It had been two days of intense teaching, tiring, yet exhilarating. The epiphany in the faces of teachers learning Aesthetics 101 was so discordant with the fighting, killing and bombings going on in nearby islands. The irony invigorated me, prodding me further to teach the sanctity and beauty in life against a moribund culture of death and destruction.

Mayor Albert Que of Bongao invited me to dinner that evening at his beach side home. Amidst the delicious seafood and the calming breeze the Mayor looked particularly glum. Synergeia’s reading program, funded by USAID would end this September after just two years of teacher training. Student reading scores were up, but the program was to inexplicably end. It was tempting to wax cynicism: Tawi-Tawi was being penalized for being relatively peaceful and funders like to go where there’s conflict. In a Mindanao strewn with AUSAid, and CIDA and a host of other international funding acronyms, there is a serious temptation for geopolitical jockeying and overlook the original objective. The one on raising reading scores.

There was a lunar eclipse on our last night. We all waited in the open veranda of our beachside quarters. The dogs began to howl, piercing screams were heard in the distance, while gunfire punctuated the night. We rushed outside joining the townspeople all gathered looking at the moon. In these parts, with little artificial light, and a flat immense sea, the slow encroachment of the moon’s surface was very clear. The townspeople were talking animatedly in agreement, “Bakunawa, the giant lizard is eating the moon.”

More gunfire erupted and I noticed that the people around me were rubbing their nails together. They believed the friction of nail to nail caused a sound that frightens the Bakunawa. Everyone including myself rubbed our nails as the moon disappeared. After a long period, a crescent appeared and the moon slowly came to view again. The people around me felt victorious. The sound of our nails alarmed Bakunawa causing him to spit out the moon.

“See, there it is, the moon is back.”

Before retiring, I walked to the beach, my path and the shore illuminated by the moon. The distinctive crag of Bongao Beak rose like a frozen black tidal wave in the distance. The lunar drama earlier was fading and what remained in my mind was Nimmo’s book. Returning to Sulu twenty years later, he barely recognized it. There had been a war in the interim and the Bongao he knew was destroyed. The people he wrote about were either killed or left Tawi-Tawi. The population had increased several fold, straining the island, its forests denuded and fishing scarce. He ends his book by saying

“I shall never return to Sulu. I cannot. My lovely Sulu is gone.”

Despite his lament, and the depradations haunting Sulu today, Nimmo revealed in his earlier chapters a people immensely kind and generous, determined to make life better for their community. I thought of the teachers and their indomitable spirit to continue teaching their students even if unpaid for months on end and scantly respected. I thought of Mayor Que and Mayor Shahali, two rare officials who valued education for their students. I thought of the various people who were generous to a fault and were in the background doing logistics so all I did was click on my remote and the workshop came off perfectly. No compensation. Just a desire to see their students get smarter. These teachers, these people of Bongao and Panglima Sugala are composites of the people Nimmo once knew, documented and loved.

I will always return to Sulu. I will. My lovely Sulu still exists.

John L. Silva is the Senior Consultant for the National Museum. For further information about Synergeia’s reading programs or wishing to attend an I-LOVE-MUSEUM whole-day art appreciation workshop, call or text 0926 729 9029 or e-mail jsilva79@mac.com

Sunday, August 26, 2007

SCHOOL FIELD TRIPS SHOULD BE EDUCATIONAL FOR ALL!



John L. Silva


It’s been over six years now since the late Secretary of Education Raul Roco issued a school wide directive (DEP ED Order No. 56, s. 2001) acknowledging school field trips “can supplement classroom instruction” when students are brought to the “National Museum, Museo Pambata, provincial and local museums, Science Centrums, botanical gardens, historical sites and scientific sites.”

The next Secretary, Edilberto de Jesus, underscored the directive by issuing another (DEP ED Order No. 52, s.2003) ordering field trips “to educational places, such as cultural and historical sites or science exhibits in museums.” Secretary de Jesus would add emphatically “Trips to malls and attendance at noontime tv shows especially during class hours are discouraged.”

Most of the school field trips today seems never to have heard of nor comply with these directives. Polled public school teachers throughout the country in the course of my museum appreciation program confess that they still bring their students to malls to wander the shops, play violent video games, and hang out in fast food restaurants. Worse, students are brought to these noontime tv shows to watch vulgar shows that insult women, gays, and the physically challenged as well as featuring skimpily clad women gyrating on stage hawking products. In other school systems throughout the world, this would be considered officially sanctioned truancy.

Schools need to address this appalling situation. Parents, who complain about the costs of field trips with no education value should demand conformity with DEP ED directives. However, schools and parents are easy targets. Let’s focus on the companies that contribute as well to this sorry state.

To give teeth to the DEP ED directives, mall establishments, large and small throughout this country should take proactive steps in hindering if not eliminating school field trips to their malls during official school time. Many of these establishments have corporate foundations that fund education programs in public schools. They can transmit their directives to their sponsored schools and education programs. On a larger scale, they can band together and publicly declare a no-tolerance policy to field trips to their malls.

There is however, a growing trend of establishing science museums and holding educational exhibitions in the larger malls. Fine and good. School field trips should be encouraged to those specific places. It is not the mall that is anathema; it is their deficient educational value that is in question.

Television stations should ban students to noontime tv shows on school days. What values do students learn seeing poor people humiliating themselves so they can get a prize? What is so exemplary for students about a tv host who’s been warned repeatedly for lewdness? What lessons do they bring home seeing young people dolled up and applauded for looking and dancing lasciviously? Sexual trafficking is not always a one-way transaction.

We are in an educational calamity. Only five out of ten words can be read and understood by our students. 94 out of 100 students not qualified for high school. One third of all students will drop out and not finish grade school. Every supplementary educational activity like school field trips should be used to stave off the learning morass our children are in.

Calling field trips supplementary does not mean lesser educational value. Students learn past the four classroom walls. They learn arts and culture in museums which, in turn, have been proven to boost math and science scores, increase literacy, and decrease absenteeism. They develop environmental consciousness by visiting parks. They learn to love their country visiting historical sites. They learn to value our past when ethics, morals and decent men and women prevailed in our society.

The corporate sector has recognized the correlation between educated well-rounded students and economic growth and have given resources accordingly. Now it is time for this sector to look into their core businesses and identify what may actually hinder the educational leapfrogging our country needs to catch up with the rest of the globe. Like banning students from internet cafes during school hours, banning smoking and liquor advertising near school grounds, and imposing the age limit for cigarette purchases, the corporate sector must establish very stringent rules when their business intersects with student learning and wellbeing. The quality of school field trips needs to be addressed as well.

If I were to ask businessmen and businesswomen if they approve seeing their own children go to malls and tv stations on official school time, there would be a resounding NO. They know fully well that every opportunity for learning will only improve their children’s future.

Why then are we not exacting the same rigor with our public school children?. School field trips should be educational for all.


(Public school teachers interested in a free whole-day museum and arts appreciation workshop sponsored by Synergeia Foundation can e-mail jsilva79@mac.com John Silva is the Senior Consultant of the National Museum of the Philippines.)

Tuesday, May 22, 2007

THE PAPAL BUT BLUNDEROUS VERSION OF AMERICA’S CHRISTIANIZATION

By John L. Silva

Pope Benedict’s controversial statement in a Brazil bishops conference on the ready acceptance by South American Indians of the Catholic faith resonates across the Pacific Ocean to the Philippines.

The Pope’s speech was a rousing call to reinvigorate the local clergy in a country whose Catholic population of 120 million has decreased by over 15% in the past two decades.

The Pope in outlining the history of the Christian faith in Latin America noted the “…encounter between that faith and the indigenous people” and the emergence of the “Christian culture of this Continent” with a “…shared creed that give rise to a great underlying harmony…”


Glossing over the Spanish and Portuguese conquest of the region which entailed the extermination of millions of native Indians to secure this Christian culture, the Pope’s most ahistorical remarks centers on his charge that the early American Indians were looking for “…and welcoming Christ, the unknown God whom their ancestors were seeking, without realizing it, in their rich religious traditions. Christ is the Savior for whom they were silently longing.”

Every Native American Studies Department in the Americas has on its reading list Bartolome de las Casas’ “A Brief Account of the Destruction of the Indies.” De las Casas detailed the genocide and wholesale destruction of the Taino Indians in the West Indies several decades after Christopher Columbus arrived in those parts. As a priest, de las Casas pleaded with then King Phillip II that the decimation of the Indians which he numbered at three million through wars, diseases and slave labor would end all attempts at converting the Indians. Of course. A dead Indian cannot be converted.

How could a population “silently longing” for Christianity’s arrival be so greeted with barbarism? Pope Benedict conveniently puts aside the conqueror mindset which believed that any lands and people “discovered” were theirs and such ownership included the coercive right to Christianize the natives. If they resisted, and they did, the conquerors had the right to kill them.

A clue to the Pope’s imbroglio can be found in a similar “silent longing” scenario foisted on Philippine history and still reverberates in current tourism brochures and pop history articles.



The arrival of the Spanish Conquistadores in the Philippines just twenty years after their arrival in the Americas is made to look convivial. The natives were reported to be friendly providing food and bartering with the Spanish. There was a mass in Cebu and Rajah Humabon and his queen were baptized, and breaking with Christian monogamous practices, baptized the King’s other wives as well. The acceptance of the Christian god along with the planting of the cross on Philippine soil (the same cross allegedly) still stands now gated, covered, and a tourist attraction. A model of the Child Jesus, the very same one given to the queen by Magellan and found, miraculously forty years later is now enshrined in a Cebu church. One hundred years ago this model was photographed and referred to as the Black Santo Nino of Cebu. Now, miraculously, he is depicted as blonde and blue eyed, another vestige of our ongoing colonial mentality.

The Pope would probably be happy to rest his case on these various proofs of a similar “silent longing” by the natives. Unfortunately, selected historical tidbits don’t make a story.

From various Spanish chroniclers we piece a bonhomie encounter truncated by Spanish objectives. Demands of fealty to the Spanish crown were scoffed at by the natives. Feeling cheated with the bartering and cautious with the menacing swords and guns and cannons, the natives decided not to be too hospitable with sharing their food. The first mass and ardor for conversion by Rajah Humabon and his retinue quickly dissipated upon seeing Magellan’s men go on drunken raping sprees.

Apologists for Magellan’s demise in the hands of nearby ruler warrior Lapu Lapu sympathetically chide the explorer for having gotten in the way of island rivalries. But first hand accounts of the survivors paint Magellan not just a political kingmaker but messianic and obsessive in converting natives. Lapu Lapu though would not submit to a foreign king and god and Magellan’s orders to burn their Mactan village enraged the warriors further killing Magellan and sending his wounded men into hasty retreat.

Magellan’s promise to make Rajah Humabon be top Rajah of all the islands if he converted was no longer in the cards. Humabon quickly dispensed with his baptismal name (Charles after the Spanish King) and chased the remaining Spanish survivors away from his island.

Forty years later, the Spanish ships of Miguel Lopez de Legazpi attempted to anchor in Cebu thinking Christian devotees would greet them. Upon seeing their ships the natives gathered belongings and provisions and went into the interior. Legazpi threatened war if the natives did not submit and feed them. A rare but very clear response came back “ Be it so,” The armed Indians on shore answered boldly. “Come on! We await you here.” The Indians could not be coerced.

The Spaniards torched their homes and in their looting came across the Child Jesus idol, presumably the same one given to the queen. Instead of native defiance against foreign invaders, the tourist brochures and the church historians would weave a miracle story and a testament of Christian endurance.

The first hundred years of Spanish history in the Philippines is replete with native revolts and a persistent return to the old ways including their native religion. Meanwhile the Spaniards systematically destroyed all native idols they could find (several of them called anitos can still be viewed in the National Museum) and persecuted native priestesses and priests who continued their practices. If the Philippines became the Catholic country that it is today ( its current membership also on the decline) it was not without the same decimation of its population as that encountered in the Americas. Filipinos died by the tens of thousands through hamletting in “Christian pueblos,” slave labor and outright massacre at the hands of the Christian invaders.

Pope Benedict’s idyllic rendition of the Spanish Conquest of the Americas is an erroneous and dangerous viewpoint that attempts to expunge any of the more egregious actions committed in the name of Christianity on native peoples. One can make a similar comparison to a recent and also controversial remark by another head of state, Japanese Prime Minister Shinzo Abe that the “comfort women” of Southeast Asia were not coerced into servicing the Japanese Military in World War II. Even worse, since 2005, any reference to “comfort women” have been removed in Japanese high school history text books. Rape, genocide and plunder are being erased and conveniently forgotten to instill more acceptable and palatable versions of a country’s history. Good for trade and the further conversion of souls.

Accepting the current Papal version of Christianization in the colonies denigrates the religious heritage of pre-Spanish peoples and goes against a previous and most enlightened Papal Encyclical entitled Dignitatis Humanae shepherded by Pope John XXIII and promulgated by Pope Paul VI at the close of the Second Vatican Council in 1965. Its declaration on a human being’s right to religious freedom launched ecumenism and a respect and tolerance for all religions. It was also the Catholic Church’s repudiation of its past coercive and bloody efforts at evangelization.

Most importantly, this current Papal view implies an obeisance to colonial invasion and erases the native revolt against it. This alienates a people to its past and emasculates its will to assert itself as a nation. A nation’s survival and growth rests significantly on a collective knowledge of its true past.

John L. Silva is the Senior Consultant for the National Museum

Tuesday, May 01, 2007

SULU BOUND FOR ARTS NOT WAR

By John L. Silva
(This appeared in the April 15, 2007 issue of Philippine Starweek Magazine)

We were checking out very early in the morning morning in Zamboanga to catch our flight. My porter gingerly carried my laptop and lcd projector to the hotel van asking if I was headed back to Manila. No, I said, I was going to Jolo. The porter gave a pensive look and cautioned me; things were “delicado” there. I brushed off his worry by giving him a smile. I was conducting an arts appreciation workshop in Jolo, the most historical city in the autonomous Muslim region, laden with all the mystery and danger, perceived rightly or wrongly, that accompanies this island.

My porter’s fears were not totally off the mark. When our twin engined plane landed on Jolo’s dusty airfield, armored personnel vehicles, a convoy of trucks with battle ready troops were driving by and Vietnam era helicopters were whooshing overhead. Instead of an airport porter, we had two armed military men (compliments of the Mayor) bringing our donated school books to our van and escorting us the whole day in an open pickup truck. Maybe it was “delicado” in these parts.

But like all the other autonomous Muslim provinces I’ve been to, a menacing military presence has become a fixture. In Jolo, a city that has witnessed insurrections, massacres and bombings for over three hundred years, the prevalence of guns and cannons and camouflage uniforms have become indelible images of the city.

We get to the conference site, I see a welcome sign with my name on it and many smiling women in head scarves and teachers uniforms. Mayor Salip Aloy Jainal of nearby Indanan Municipality who brought these teachers gives me a hearty greeting. I quickly forget my nervous musings and was raring to start my powerpoint.

My day-long program entitled I Love Museums for public school teachers on appreciating the arts has traveled throughout much of the country. Getting to Jolo would almost complete the major cities I’ve covered in the Autonomous Region of Muslim Mindanao (ARMM) which included Marawi, Tawi-Tawi, and Cotabato City.

The program has a simple proposition: Give teachers a crash course in arts education, let them pass it on to their students, and see student academic scores increase.

A Stanford University study shows that a child with an arts education is four times more likely to have higher academic scores, three times more likely to be involved in student affairs, four times more likely to love reading and writing, and three times more likely to do volunteer work. These findings have been taken so seriously that California has mandated all high school students to complete one year of arts education in order to enter the state’s university and college systems.

Synergeia, an education reform organization dedicated to raising reading and comprehension scores for primary school children has been working in the municipality of Indanan for close to two years. 767 first graders were tested in the beginning and the reading scores were a frightening 24%. That meant a student could only comprehend two out of ten words presented. The average reading score in the country is 54% making Indanan students, like many other Mindanao students having one of the lowest literacy scores in the country.

With that challenge, Synergeia helped energize the local school board with the help of the Mayor, the teachers were given remedial courses and the parent/teachers’ associations were given after-school mentoring assignments and the students were given one workbook each. Today, they were going to be steeped in the arts.

The Indanan teachers were polite and pleasant trooping into the auditorium and patiently waiting for me to set up. I could see though from the corner of my eye they were a skeptical bunch. The Synergeia testing results were crushing. You aren’t exactly chipper knowing most of your students can’t read making the municipality on the lower rungs of the education crisis scale. And now they have to suffer a culture course from a chirpy Manileno.

I started flashing images of museums throughout the world and their collections. There was the usual titter over Greek male nudes since most in the audience were female and not familiar with Western representational art. I sensed a quiet and the occasional “mmmh” when I began my subsection of Islamic art found in major museums throughout the world: A 13th century lantern from Egypt, the calligraphic signature of Sultan Sulaiman from the 16th century, colorful prayer rugs from Iran, geometric tiles from Spain and textiles from Indonesia. Exquisitely designed gold jewelry created excitement, a craftsmanship that for the mostly Tausug members in the room were quite familiar with.

I ventured into our National Museum’s collection of Muslim art. Gravemarkers, mat weavings, woodcarvings, brass, kris, all detailing their superb qualities evoked excited murmurs. This was the entrée to the deeper discourse on the following module on Philippine history.

Using old photographs, Philippine history came alive with images of the Yakans, the Samals, the Tausugs, the Badjaos and other tribes in their archipelago, in their finery, on their houseboats, in procession, dancing, and readying for ceremony. There were photographs of proud Sultans negotiating with American authorities, of regal Sultanas with their retinue, of gleaming mosques, and pristine landscapes. These carefully chosen images exorcised the prevailing visuals of Muslims as fanatics and ignoble, living in total abject squalor.

Injecting cultural and historical pride, my powerpoint acknowledged and reminded the teachers of their people’s defiance with colonialism resulting in their culture remaining relatively intact compared to the wholesale loss of culture and norms in other parts of the country.

During Questions & Answers, teachers raised points proving they had absorbed the presentation. “Is it the material or the craftsmanship that gives an object its value?” asked one teacher. Artistic freedom and religious constraints were also broached. There were sobering comments too about the difficulty in setting up their own school museum when they didn’t even have enough schoolrooms.

The National Museum of Jolo was right beside our conference center so we all walked there, the majority of the teachers visiting it for the first time.

How quickly the lessons were internalized. The teachers paused longer to scrutinize weaving patterns and jar designs. They pondered and gushed over the curved and gracious ukil designs in the wood carvings. The second floor was a vast display of Sultanate geneology and historical highlights of Sulu adding further to the breast-thumping pride they had gained that day.

The teachers gave effusive goodbyes and boarded tricycles with painted signs like “Guns and Roses” driving down the main boulevard shaded by century old Acacia trees planted by the Americans. It would be a long trip back to Indanan with military checkpoints at intervals and peeling political posters that have once again uglified their towns.

There was still some light that afternoon so I got a quick tour of Jolo’s historical sights and the public market where I found beautiful woven mats, baskets, pottery, gold jewelry and kris still being made from their area. These Sulu artworks, much admired and treasured for hundreds of years continue to thrive proving the tenacity of artistic creation despite limited resources and an ongoing war.

There are still many outlying islands to visit in the Sulu Archipelago and give my I Love Museum program. There will always be that prevailing warning about how “delicado” the area is. I’ve heard it said since childhood. But whenever I’m there, it’s the teachers’ warmth and their desire to learn about the arts that dominate my mind. Apprehensions quickly disappear leaving me with only the good fortune to visit and teach in yet another beautiful place in our country.

( For information and schedules of upcoming arts appreciation programs please e-mail the program director, John L. Silva at jsilva79@hotmail.com or call/text at 0926-729-9029.)

Sunday, April 08, 2007

LAGUNA TRASHED WITH CAMPAIGN POSTERS

There are silver linings and still many more challenges in this business of getting rid of illegal billboards and political campaign posters. But one thing is certain from my most recent drive this Holy Week around Laguna de Bay. Things are changing.

Just driving the Southern Expressway headed for Laguna, there are bright spots. Literally. It seems around the entrance to the toll gates, there stands just the skeletal remains of billboards. The Department of Public Works and Highways (DPWH) must have deemed the billboards to be dangerous being less than eight meters from the highway and therefore a violation of Presidential Administration Orders 160 and 160-A of President Gloria Macapagal Arroyo.

You could see the sky now past the skeletal remains. Further south, Typhoon Milenyo had taken down numerous billboards last year and there are some billboards without any customers. Corporations must be realizing that it is no longer good business to use them especially after a lawsuit was filed recently against a falling billboard that killed a passerby.

I noticed billboards of airline, gasoline, and realty companies. They pretty much shoot themselves in the foot. Americans including Filipino Americans and Europeans when polled, state they hate billboards. Who in their right mind would therefore spend a thousand dollars to get to the Philippines and take a tour of Southern Philippines to be accosted by billboards? For less than that amount, Fil-Ams would rather go to Hawaii where billboards are banned and tourism is up and away. These companies just lost their customers.

Ask any smart realtor and they’ll admit that billboards bring down real estate prices. See any obnoxious billboards in ritzy places like Fort Bonifacio? So, how is this country going to be able to sell its real estate in the south when it is cluttered with ugly billboards? Yet, there’s Brittany and Georgia Club and other god-awful names for subdivisions accosting the once potential but now thoroughly disgusted Fil-Am investor?

But as I was exiting the expressway, the good news overall is less billboards, lots of vacant billboards, a more conscious populace about their being a public menace, a government that continues to uphold public safety, and in a few months, another round of angry Milenyos.

The very last exit is for Calamba and as you go round and out of the freeway, you begin to notice the garbage thrown on the side of the road. Then you notice the trees, the posts, the sidings of GI sheets, the bus stop stations, the fluttering sky. The politicians of this country has again broken the law and decided to smear the whole scene, the whole scene with their campaign excrement.

Driving pass thousands of posters nailed to trees, pasted on walls, running the length of the city, I wondered what national hero Jose Rizal would think having given his life for this country only to spawn a bunch of politicos who’ve made his own hometown butt-ugly. I’m sure Rizal’s lyrical paean to his country – poems, novels, essays - had much to do with happy childhood memories of rural Calamba. He once boasted after seeing Niagara Falls, that it still couldn’t compare with the beauty of his local Dampalit Falls. Rizal would quickly be a bomb-throwing anarchist seeing posters of actor-senator-wannabe Cesar Montano defiling the countryside. Ironically, Montano’s acting fame skyrocketed playing Jose Rizal in a movie. The guy today deludes himself as the hero incarnate and with his sexy undershirt appeal wants us to vote him into office. Dream on.

Los Banos, dense with narrow roads, was a nightmare to course through with the campaign posters, like locusts, inches away from the car. Even after leaving its borders and admiring, on both sides of the road, the emerald green rice fields and enchanting mountains, the nauseating sight of posters persisted. Manny Villar, the richest of all senatorial candidates spared not a single tree and electric post. Environmental poseur Loren Legarda who once had an ode to trees (‘I THINK THAT I SHALL NEVER SEE, A POEM AS LOVELY AS A TREE…’) erected on the national highway had her cynical smirk nailed to every tree she could molest.

So it went from one town to the next, these posters inflicting their pain on trees, sap flowing out of them when nailed, like blood. It may be a sickening sight for travelers fleeing the city and seeking solace in the country. But for the rural folk, it’s even a matter of life and death. You ask anyone why they allow these posters to hang and they’ll tell you they were put up by the local thugs and druggies who’d kill anyone taking them down.

Aside from thugs the candidates hire the local idiots to splotch everywhere not sparing destroyed buildings, garbage dumps, and the lower sections of provincial markers where dogs ordinarily pee on. The candidates don’t have the slightest marketing clue that the surroundings affect the message. Who wants to vote for a pee-stained candidate?

A poster of Recto, a senatorial incumbent has his silly word play KORecto (like in correct-o) pounded on trees that Villar missed. Correct? No. He might win thanks to his actress wife but for aesthetics, he’s just another loser.

Senator Edgardo Angara who styles himself as a supporter of arts and culture reveals his utter disdain for it. Just meters away from an 18th century church, his goons have peppered his face on a waiting station, as if to say screw heritage. He just wants to win at all cost.

I grip my steering wheel harder trying to contain my uttermost contempt for these charlatans of law and order. They know posting campaign material other than the proper designated places is a violation of Section 9 of the Fair Elections Act. The penalties include disqualification from public office, fines, jail for up to six years, and will be deprived of the right to vote under Section 264 of the Omnibus Election Code.

The telling part of this wholesale scoffing of the law is that all candidates, administration, opposition, party list, all of them are guilty of the violation. They have not the slightest respect for the law yet are running for lawmaker positions. Their flapping posters taunt us competing with one another on being the most repellent as they savage this once idyllic province.

Our country though never fails to raise my spirits and inspire me. In the midst of the campaign garbage, one drives under the arch of the town of Pila and the magic begins. Our car glides through age old Acacia trees proudly showing off its muscular branches and immense shade. Electric posts are just posts. Railing and walls show scars of pasted posters ripped off. We are in a most enchanting town with an intact plaza surrounded by veritable mansions, a 1929 municipal plaza on one end and a stodgy old church on the other. Its plaza received a National Historical site status in 2000 and there’s an active Pila Historical Society that has fought and won every commercial encroachment on its Plaza. Last year, they threw out Greenwich for putting up a food stall. The year previous, they got Globe’s banners removed immediately.

There is not one single poster to be found in this fairly large town. Not a one. If you want to know how the town did it, ask Cora Relova, the historical society’s founder and town guardian. Every day, she pays a team of young boys to go with ladders and take down posters set up in the middle of the night (the crooks know its illegal so they do it stealthily). She has braved threats telling her boys to take down all posters to show no favorites. She reads the laws to those who menace her and they shut up. She’s spent a thousand pesos of her own money paying the boys, but she gleams with pride at how resplendent her town remains.

My traveling party totally agrees. Pila beguiles as our eyes revel in its well preserved architecture, its restful plaza dotted with windblown trees, and its impressive church.

Unfortunately, the town’s steadfastness and pride in keeping itself beautiful did not rub off on its neighbors. As we left Pila, we were back again seeing the hell bent destructive behavior of politicians. Pagsanjan, and old tourist haunt with its popular waterfalls and the exciting ride over the rapids has been inundated with political posters. The town has an old world charm with period homes lining the main street, some converted into delightful cafes and inns. But the politicians don’t care one bit for the town’s tourist draw and instead render the place deplorable.

A sidetrip to Caliraya, a hill-top lake with views reminiscent of Bali is marred by the relentless presence of posters. Tessie Aquino-Oreta, with her bad hair day look and supposedly remorseful of her past inanities, does not appear to be so as her mug shots are nailed on trees fronting a Japanese garden.

On the road to Paete, the car hugs the mountain side with the most scenic views of the lake and distant mountains. But the whole aesthetic gestalt just can’t happen what with senate wannabe Prospero Pichay’s sneer on every other boulder and post. Hammered on trees nearby are the offensive looks of Mike Defensor. He tries to emote integrity but fails since the former Environmental Secretary should have known the laws on posting.


As we climb the mountain headed for Binangonan, the zig zag road provides a more majestic sweep of the whole province. Savoring it is impossible; every tree pummeled bearing posters of senatorial candidate Vic Magsaysay. He’s related to outgoing Senator Ramon Magsaysay Jr. and son of the revered late president. It’s pathetic that this candidate did not follow in the Senator’s foot steps of eschewing campaign posters. Vic instead has just muddied what was once a sterling name.

Chavit Singson, an administration favorite but not doing well in the polls manage to pepper his face as we approached Antipolo. Aging movie star Richard Gomez, his face heavily photoshopped, found a couple of road side stands to plaster. And Kiko Pangilinan, who once ran as Mr. Clean, just looked like your regular toothy traditional politician dirtying up the countryside. How quickly idealism fades on spineless do-gooders.

I mentally thought to myself that by June, when the brave Balikbayans come for summer with their children, these posters would still be here to their horror and quiet promise never to return again. This lovely circle of a lake side tour, less than a hundred kilometers from the city, boasting rice fields, quaint towns, waterfalls, and gracious churches have been absolutely ruined. A much need tourism industry has, once again, taken a back seat to the narcissistic, law-breaking depredations of today’s wannabe politicians.

We are back on EDSA the main city highway going home. I notice to my amusement a bunch of advertising banners have been sprayed with black ink, as if shot from paint guns. Billboards are no longer sacrosanct to these anti-consumer rebels. Maybe this anger might just spread to the political realm.

Pristine Pila Laguna is the memory I will keep and I urge one and all to visit this heritage town to be guided and delightfully fed by the indefatigable Cora Relova. Reach her at lacoring@gmail.com and praise her efforts. When you meet her, be prepared to be inspired and become an activist in your own hometown too.

Just as I was preparing this blog, Cora calls me to say that Governor Ningning Lazaro, who is running again, has sent her people to apologize profusely for having hung banners in non-designated places of Pila. Cora would take the banners down just hours after they were placed and she collected a hefty pile. The Governor may have realized her wrong in Pila, but in the whole of Laguna, her posters are everywhere.

This blog and its photos are being sent to the COMELEC and the DPWH to prod them to disqualify the candidates who have violated the laws. It’s telling to note that if these government agencies actually did their job, they would have to disqualify ALL THE CANDIDATES. There would be no elections for they would all theoretically be in jail.

I urge everyone to dash off an e-mail to the various people and agencies .The Senators below are those whose posters I documented hung and pasted illegally. Shame them and make them know we don’t tolerate their illegal postings.

Tell COMELEC to do their job and start disqualifying. Tell DPWH to take down all illegal posters now.

Thank you.

Tessie Aquino Oreta info@tessiesasenado.com

Senator Ralph G. Recto senrgr@info.com.ph

Senator Edgardo Angara http://www.edangara.com/guestbook/gbook.php?a=sign

Vic Magsaysay http://magsaysayforsenator.blogspot.com/2007/02/infrastructure-in-zambales.html

Mike Defensor http://www.mikedefensor.net/default/ask-tol

Senator Kiko Pangilinan http://www.kiko.ph/contact.html

Senator Manny Villar http://www.mannyvillar.com.ph/contact.html

Report illegal campaign billboards to:
Department of Public Works & Highways

Bonifacio Drive, Port Area
Manila 

http://www.dpwh.gov.ph 

Office of the Chairman
Chairman Bayani F. Fernando
Tel. (632) 882-4151 to 77 loc 205; 882-1805; 882-0871; 882-0893
E-mail: chairman_bfmmda@yahoo.com

Commission on Elections
Comelec Building
Postigo Street, Intramuros
Manila NCR 1002 
+63 (2) 527 6111


http://www.comelec.gov.ph
chairman@comelec.gov.ph

Contact Information

Hon. Benjamin S.. Abalos, Sr.
Chairman 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-5412
Fax:+63 (2) 527 8929


Wednesday, March 28, 2007

ILLEGAL BILLBOARDS AND CAMPAIGN POSTERS








These are photographs taken by Jonathan Best on March 23 and 26 going to Baguio taking the North Expressway and Kennon Road.







All the billboards on North Expressway are now deemed violations by the Department of Public Works and Highways (DPWH). They have cited the billboard owners warning them that if they don’t have them taken down, they will be removed. They are considered a menace to the safety of travelers and are also an eyesore. The errant companies on the expressway have been recorded by Maribel Ongpin and will be published for your information.









The graffiti on the rocks of Kennon Road and the political posters on trees are against Commission on Election (COMELEC) laws and there are fines, disqualification from public office and jail terms for breaking these laws.







































In effect, corporations advertising on these billboards, billboard owners, and politicians are currently not in compliance with the laws of the land.







Please check my previous blogs to help you call or e-mail both DPWH and COMELEC to prod them to make sure the laws of the land are followed.



http://johnsilva.blogspot.com/2007/03/we-can-all-make-sure-there-will-be-no.html







All of us must do our share so please do your civic duty by alerting DPWH and COMELEC. Meanwhile environmental organizations and the Catholic Church has asked the public not to vote for candidates who violate COMELEC rules on illegal posting. As for errant corporations, we as consumers can boycott their products until they comply with the law.

Thanks

















ONCE BEAUTIFUL SESSION ROAD, BAGUIO CITY RUINED BY BILLBOARD UGLINESS

Monday, March 19, 2007

WE CAN ALL MAKE SURE THERE WILL BE NO CAMPAIGN GARBAGE



It’s over a month into the campaign season and the major thoroughfares of Manila still haven’t been plastered with campaign material. This is really a major change from the last election.

Unfortunately, having come from Zamboanga and Jolo just a week ago, campaign material are stuck everywhere totally disregarding COMELEC laws. The worst offenders in those parts are Senators Ralph Recto and Ping Lacson. Party list groups including Bayan Muna are guilty as well.

I got this disturbing photo from Bencab. Stupid names of politicians painted on rocks and walls of Kennon Road.

Some campaign stickers are beginning to crop up on side streets and as elections near, compliance with the law may go out the window. So, if we want a clean city and be vigilant with these politicians we need to all pitch in and do our share.

Several weeks ago, a huge Team Unity billboard was nailed to our subdivision. The very next day, they got a letter from me and two days later, the billboards were removed on MIA Rd. It helped that I wrote directly to the offending Senators and sent a picture of their billboard to Philippine Inquirer which promptly published it.

Citizens fighting back works. So I did my homework and found addresses and e-mails of parties you need to reach if you see illegal campaign posters and stickers. You need to e-mail the offending parties and you need to report it to COMELEC and sending them photos. Documentation helps and prodding can get results.



So here are the clickable sites:

This is the Philippine Senate website. Go there and click on Sen. Panfilo Lacson’s face and tell him about his stickers

http://www.senate.gov.ph/senators/sen13th.asp

Report illegal campaign billboards to:
Department of Public Works & Highways

Bonifacio Drive, Port Area
Manila 

http://www.dpwh.gov.ph 

Office of the Chairman
Chairman Bayani F. Fernando
Tel. (632) 882-4151 to 77 loc 205; 882-1805; 882-0871; 882-0893
E-mail: chairman_bfmmda@yahoo.com




And of course, there’s the Comelec and here’s all their addresses, phone numbers and e-mail 

Commission on Elections
Comelec Building
Postigo Street, Intramuros
Manila NCR 1002 
+63 (2) 527 6111
http://www.comelec.gov.ph



Contact Information

Hon. Benjamin S.. Abalos, Sr.
Chairman 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-5412
Fax:+63 (2) 527 8929
chairman@comelec.gov.ph


Hon. Luzviminda G. Tangcangco
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-2772
Fax:+63 (2) 527 5587
comm_tancangco@comelec.gov.ph


Hon. Ralph C. Lantion
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527 0842
Fax:+63 (2) 527 0840
comm_lantion@comelec.gov.ph


Hon. Rufino S B. Javier
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527 2983
Fax:+63 (2) 527 0824
comm_javier@comelec.gov.ph


Hon. Mejol K. Sadain
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-0825
Fax:+63 (2) 527 3001
comm_sadain@comelec.gov.ph


Hon. Resureccion Z. Borra
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-0834
Fax:+63 (2) 527 0841
comm_borra@comelec.gov.ph


Hon. Florentino A. Tuason, Jr.
Commissioner 
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-5576
Fax:+63 (2) 527- 0841
comm_tuason@comelec.gov.ph


Hon. Mamasapunod M. Aguam
Executive Director
Comelec Building
Postigo Street, Intramuros
Manila 1002 
Voice:+63 (2) 527-2990
Fax:+63 (2) 527 2990
ed_aguam@comelec.gov.ph


Hon. Estrella P. de Mesa
Deputy Executive Commissioner
COMELEC Bldg., Postigo St.,
Intramuros,
Manila 1002 
Voice:+63 (2) 527-5760
deda@comelec.gov.ph


Hon. Pio Jose S. Sison
Deputy Executive Director
COMELEC Bldg., Postigo St.,
Intramuros
Manila 1002 
Voice:+63 (2) 527-2988
dedo@comelec.gov.ph




We will have a clean, poster free country if we all do our share. There clearly has been less campaign garbage because of citizen awareness and the good efforts of MMDA and DPWH. So let them know that we want them to continue enforcing the law.

Cheers

Sunday, March 04, 2007

PAINTINGS TO REMIND US OF JAPANESE CRUELTIES IN WORLD WAR II

John L. Silva
(Unpublished, written April 2005)

Recently, the Office of the Solicitor General filed before the Supreme Court a 37-page memorandum arguing that the Philippine Government was correct in denying assistance to “comfort women” the term used for the tens of thousands of Filipina women who were forced into sex slavery by the Japanese Imperial Government in World War II.

Citing two treaties the Philippines has signed with Japan which supposedly waives all claims for compensation, the Philippine Government has become a party to Japan’s long-standing refusal to officially apologize and compensate comfort women in this country as well as other formerly colonized countries in Asia.

The Solicitor General will be enlightened if he makes a visit to the National Museum’s current temporary exhibition entitled Figurations of Art. Along with other artifacts and paintings on display are three very profound paintings that will remind him and this government that we were once at war with Japan, had resisted bravely, suffered three years of occupation and subjected to a debauchery of violence upon their retreat.

The most disturbing and largest of the paintings is Diosdado Lorenzo’s Rape and Massacre in Ermita. The former head of the University of Santo Tomas Fine Arts Department painted it in 1947 at a time when the country was still reeling from the shock of the over 100,000 men women, and children slaughtered, bayoneted, and senselessly butchered in Manila in February 1945. The pain was so intense that many, to survive psychically, buried these events in the deepest recesses of their minds for many years. My generation had parents who were teenagers during the war and whenever they were asked about those times, spoke little and with much reluctance.

Lorenzo’s painting portraying two Japanese soldiers raping and killing family members in an Ermita home depicted a common horror not just in Manila neighborhoods but throughout many parts of the country. A young girl in the foreground is already dead from stab wounds, while another young girl with long hair in the background is naked and wounded. The husband has just been bayoneted. The wife struggling with a Japanese soldier clutching a knife, her breasts exposed, is about to be raped and murdered. A crying baby in a crib is a foreboding sign. There were countless stories by World War II survivors who saw Japanese soldiers flinging babies into the air and thrusting them with bayonets as they fell to earth. An altar with dangling rosaries is set on one side, mute and helpless. A tropical foliage seen from an open window vainly hides the fire and terror occurring outside.



Dominador Castaneda’s work, entitled Doomed Family is of a different intensity but harrowing as well. Done in 1945, this oil on canvas has the feel of a silent scream. A mother lays dead; her long hair on the floor simulates blood. A lifeless father is bound in rope, his bloodied back mercilessly whipped. A child, still alive and tied, has her mouth open emitting perhaps a frightened helpless wail. One cannot tell if they are depicted in a home or in a cell. Their doom in the dark is the only certainty.















A third painting related to World War II is entitled Capas by Demetrio Diego, a distinguished painter and former chief artist for the Sunday Times Magazine. It depicts the slow and agonizing death of Filipino prisoners-of-war in a Tarlac internment camp. The prisoner in the center seems to check on his companion’s condition beside him. The act is noble but futile. A man seated at the foot of the bamboo bed is malnourished and ready to die.



Exhibition curator Patrick Flores’ choice of these three paintings was a conscious and apt decision on the museum’s part as a 60th anniversary remembrance of the liberation of the Philippines. They loudly echo, in the midst of national silence, the vigorous protests in China and Korea over the Japanese Government’s decision in April of this year to distribute Junior high-school textbooks revising Japanese military history in World War II. One of many revisions in the textbooks is the total deletion of the sufferings of comfort women hired by the Japanese Imperial Army in Asia to sexually service its troops during the war.

The Chinese and Korean Governments have also protested the continued visits of Prime Minister Junichiro Koizumi and members of Parliament to the Yasukuni Shrine in Tokyo where the 2.5 million military dead are revered as gods in the Shinto religion. This includes Class-A war criminals who ordered the rape and killing of civilians For many years, out of deference to the war, the former and current Japanese Emperor as well as a string of prime ministers did not set foot on Yasukuni Shrine. Prime Minister Koizumi and his rightist legislators have revived the practice and have seriously jeopardized relations between Japan and the Korean and Chinese Governments.



The Yasukuni Shrine has a museum recasting World War II as the Greater East Asian War, with Japan at the lead liberating the colonies of Asia and fighting western imperialism. The Philippines is included in their “liberation gallery” and Filipino personalities such as Artemio Ricarte, Benigno Ramos, and Presidents Emilio Aguinaldo and Jose P. Laurel are extolled as “…cooperating with the Japanese Military.” As expected, there is no mention of Filipino guerrilla resistance, the cowardly murder of Filipino and American prisoners of war, the countless civilian deaths and the sufferings of the comfort women.

The revising of Japanese military history and the forgetting of past brutalities are pathetically being spawned in this country by Filipinos themselves. A statue of a Kamikaze pilot almost identical to the one at the entrance of the Yasukuni museum has been erected, with the town mayor’s consent, in Mabalacat, Pampanga to commemorate, with ahistorical insouciance, the founding of a Kamikaze airfield there. In the last elections, markers and shrines in tribute to Bataan Death Marchers were pasted over with the campaign posters of Vice-Presidential Candidate Noli De Castro. Just the sight of thousands of Japanese male tourists today arm-in-arm with Filipino prostitutes and the continued export of “entertainers” to Japan, it’s hardly surprising that the comfort woman issue gets no support from a government whose president purports to be a “feminist” and a pious Catholic.

The remembering of the 60th anniversary of the liberation of the Philippines has gotten its share of re-enactments, bronze plaques, long-winded speeches and hollow celebrations from this government, the United States, and even that of Japan. But it is the personal recountings, painted on canvas, written on paper, or orally told, that evokes the deepest sentiments of recoil, recollection, and understanding. The most meaningful way to appreciate our yearly celebration of sovereignty is to remember those who suffered - like the comfort woman - for our country, and maintain our collective umbrage until they receive the compensation and official apology long due them.

Friday, February 23, 2007

SEN ANGARA, REMOVE YOUR ILLEGAL CAMPAIGN POSTERS!



Dear Senator Angara,

Last night I pulled down a large 8 ft x 8 ft poster bearing your face and those of your fellow senatorial candidates. The poster was nailed in the middle of the night to the wall of the subdivision I live in.

As a “lawmaker” you are supposedly aware these posters violate election rules with penalties that include fines, a jail sentence and disqualification from public office. Yet, you seem to be a party to this illegal act.

Our subdivision guard told me that menacing thugs set up the poster and were accompanied by a policeman who would not reveal his name. The guards were reluctant to pull your poster down so I had to initiate it.

You in your rarefied Senate surroundings or in your secure enclave may not understand what has happened since last night. Now the guards are worried that the thugs will come back and harm them. There have been people killed for having taking down campaign posters in the past.

I now have to be doubly careful about people who ring my doorbell. My partner cautions me and I wonder if my duty as a citizen is worth the aggravation. All this for a stupid illegal poster of yours.

Of all the candidates on that poster, I thought to write you because of your involvement and support of the arts, culture, and the National Museum where I work. Therefore, aside from being aware of the law banning posters outside designated Comelec areas, you must have some semblance of aesthetics. Illegal election posters mar our beautiful country. You’ve only proven to lack aesthetics and uglify our country just so you can win. A typical trapo mentality.

Despite the fear your thugs cast on me and the people in my subdivision I will continue tearing down as many illegal posters of yours and of the opposition when time and energy permit. I will encourage all my friends to do the same. Doing it together emboldens us and strengthens our resolve to be upright citizens compared to you “lawmakers,” now the lawbreakers of our land.

I enclose photographs of your illegal posters and our tearing them down.


In the ten years we concerned citizens have spoken on the matter of illegal election posters, there has actually been a marked increase in public awareness over the issue and government agencies have this year, taken the initiative to warn politicians about the laws on posters. It’s the second week of the election campaign and despite some infractions, including yours, the city and the country looks fairly clean.

But the situation is fragile. And your postering encourages only more and we may be back to square one and more lawbreaking lawmakers.

Tell your campaign people to take down these illegal posters immediately and to stop posting them. Failure to do so will force us to take legal action against you and your party.

Sincerely,

John L. Silva
Senior Consultant
National Museum of the Philippines

Tuesday, January 30, 2007

THERE'S A TYPO ON THE BENCH BILLBOARD


By John L. Silva

When companies attempt to make Corporate Social Responsibility (CSR) a breathing, living ethos, they should be congratulated and encouraged on. But since the CSR movement is relatively a nascent undertaking in the Philippines, companies whose bottom lines have long been on profit taking rather than on social giving, have applied CSR with some hits and misses.

Take Bench’s current marketing and advertising campaign entitled “Wear Your Conscience.” It’s a social awareness campaign with Sa Aklat Sisikat Foundation, an organization raising reading levels in school children, as beneficiary. The tagline is witty, but the concept, execution and results are way off the mark.

Bench recruited celebrities to pose in their polo shirts with logos suggesting “Conscience.” The celebs were the usual Bench stable like Richard Gomez and Lucy Torres, and Kris Aquino and they added socialites and celebrities who’ve graced the slick covers of Tatler and Metro. The photographs, taken by Jun de Leon are all fine technically.

There are celebs who affect a smile with genuine warmth, others more saccharine, some slightly vapid and a lot more of them raise the question, how do they merit having a conscience? That’s the first problem. Bench’s choice of celebs and the pictorial context they are in doesn’t inspire one to ponder social change. Many of them actually excel in charitable works. But in this context, posed with shirts, devoid of their advocacies, these celebs only epitomize Bench retail iconography, or fashion mag cover material, eclipsing the social concerns they may be involved in. A few of them have long too often been snapped, ad nauseam, at product launches grinning ear-to-ear with the latest SwatchVolvoTiffanyFerragamoMcDonalds that no matter what Mother Teresa undertaking they’ve accomplished, the burger gets top-of-mind recall.

Their poses are disconnected to the campaign. Some of the photographs are posed en famille, more fitting in silver frames and resting on top of grand pianos. They make good Christmas cards. But utterly fails as a call to action.

When Bench decided to bring the campaign to the billboard realm, festooning their heartfelt faces on the main highway EDSA, they blew it even further and unfortunately, may have blemished the recipient organization.

The Bench success story is tied significantly to its use of billboard advertising to sell clothes. Starting in 1987 with movie star Richard Gomez, Bench carved out a market selling clothing and accessories, from toddlers to oldies using the hottest stars or well endowed twinks on tarps three stories high that either make people pant or protest in moral outrage. However one views Bench billboards, they have been synonymous with the advertising adage that if you run out of ideas, sex sells. The billboard landscape today littered with Photoshop enlarged tits, spurious hard-ons, and Botoxed butts prove the bankruptcy of creative thinking in ad agencies.

So, when these “Conscience” billboards are set up with the familiar Bench logo and familiar Bench bodies displayed on the same billboard sites that have, for years, revealed anatomical parts oozing sex appeal, the campaign seems not a trifle disingenuous. Oh, catch the itty bitty Sa Aklat Sisikat logo on the lower right. You didn’t? You drove too fast.

Bench, with all the advertising and marketing firsts it has garnered could have used other more effective mediums and concepts to raise consciousness. Instead, they blithely pitted their feel-good efforts against a very vocal populace outraged by the billboard blight that has uglified this country. The recent typhoon Milenyo knocked down many billboards exposing them to be unsafe and had violated building codes. They killed innocent people, injured many more, destroyed vehicles and property, and contributed to billions of pesos of downtime in lengthy power disruptions brought on by their falling on electrical lines.

The propagation of Corporate Social Responsibility cannot be done by transposing traditional marketing and advertising gimmicks on it. Celebrity endorsements, logos, strike-a-pose, and gargantuan billboards have been used for hawking thongs, tuna and adult diapers but don’t crossover seamlessly to caring for your fellow men and women. Anti-billboard advocates, many of them friends of Sa Aklat Sisikat are nonplussed by the use of odious and dangerous billboards to spread their otherwise important educational message. That is, if the message even got through.

The laymen driving down EDSA assaulted by these same billboards will simply surmise that a direct donation to the organization would have been better than spending it on tarps. Instead, the “Wear Your Conscience” billboard, in the absence of a message, and a microscopic recipient logo looks like another billboard clutter hawking clothes. A portion of the proceeds from an accompanying book on the celebs and shirt sales will be donated to Sa Aklat Sisikat. One can mentally figure though that the publishing, marketing, and ad costs for this campaign could dwarf book and shirts sale proceeds and the eventual donation to a worthwhile organization.

It would be remiss not to acknowledge Bench’s philanthropic efforts through the years in support of the arts, education, and social welfare projects. I’ll be the first to recognize and heap gratitude to Bench for supporting organizations that I support as well.

Bench too monitors and knows the feelings and commitment of people who advocate eliminating billboard blight for aesthetic and public safety reasons. I have candidly stated to Bench that in the past their billboards were innocuous when they were the only ones around. Now, there is an unregulated and chaotic billboard industry (most billboards illegally placed and illegally sized) that has polluted the entire country. We anti-billboard advocates are telling Corporate Philippines (the prime abetters) that the demand for billboard elimination, given past events, will only increase and they should urgently map out alternative, safe, and aesthetically pleasing methods to sell their products. The Defensor Anti-Billboard bill now coursing through the Senate and the Congress when passed, will drastically reduce much of their foul presence. The recent filing of criminal charges against a company whose falling billboard killed a man, the vigorous drive by the DPWH and the MMDA to remove illegal and unsafe billboards are welcome moves to us and ominous to corporations to either get with the trend, follow the laws or suffer liabilities and make a mockery of Corporate Social Responsibility. It’s high time corporations and their sex addicted ad agencies don their creative thinking caps.

If the use of billboards to hawk a cause isn’t egregious enough, the more nauseating aspect of the campaign is the insensitivity of the “Conscience” message to the reality at hand. Sa Aklat Sisikat, like other education reform organizations, valiantly works to make more children read through teacher training and the distribution of books at the Grade Four Level. They have trained close to 2,000 teachers and reached out to 190,000 children (Read more about them at http://www.readerstransform.com/ and make a donation).

With half a million teachers and 12 million school children more to go, and a national budget inclined to defense than education; with children’s reading scores abysmally low; with malnutrition, carbon dioxide emissions, and sexual trafficking arresting hopes for a child to even begin to read; Aklat Sisikat’s work is so serious and formidable that the billboard images of slouched and pampered individuals reeking of privilege dreamily exhorting working people on buses and the MRT plying EDSA to go get a conscience is surreal, obscene, arriviste, and deepens the already tenuous class divide even further.

In Thailand, at the close of 2006, a terse news item appeared in the Bangkok Post about Crown Prince Maha Vajiralongkorn, a certified pilot, offering to fly - as a fundraising gesture - a commercial plane from Bangkok to Chiang Mai and back for the New Year’s celebration. He charged each passenger one million Baht and the proceeds were to help Muslim children in southern Thailand affected by the insurgency. Days later, a small one-paragraph news item had a declarative sentence that the Crown Prince raised 28 million Baht. There were no fawning congratulatory pictures, no self-indulgent full-page adverts nor billboards of him emoting in his palatial surroundings. His fundraising effort recalls the old-fashioned but preferred way of raising an issue and appealing for support: discreetly, no fanfare and with dignity. Our celebs and entrepreneurs should take a page from the self-effacing Crown Prince and engender conscience in this dire country in less floodlit, sartorial, and mascara ways.

The days of billboards are numbered and any attempt to sugar coat by putting a philanthropic spin on them will only be greeted with derision and increase the resolve to ban them outright.

There’s a typo on those billboards. It should read “Where’s Your Conscience?”

John L. Silva is Senior Consultant to the National Museum of the Philippines and a Trustee to Synergeia, an education reform organization. Reach him at jsilva79@mac.com